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A Forest After Fire

A Forest After Fire
A dark forest, several years after a managed fire.

A Forest After Fire. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dark forest, several years after a managed fire.

For obvious reasons, wildfire has been on my mind a lot during the past few weeks. Back in August a spectacular and extremely unusual series of electrical storms rolled across the San Francisco Bay Area, touching off scores of small fires that soon merged into three very large and very destructive infernos. Since that time we’ve lived in a pall of smoke around here. I briefly escaped — or so I thought — to the Eastern Sierra, with plans for a short pack trip… the weekend that the huge Creek Fire started south of Yosemite. Since that time the entire west coast has been afflicted by historically awful fires.

I’m familiar with wildfires in California, for one reason from years of late-summer and early-autumn backpacking. Some smoke is common at this time of year, most often continuing on into the very beginning of October when the first rains often arrive. Long ago I reconciled myself — after years of Smoky the Bear exposure — to the idea that some fire is a natural and beneficial part of the natural environment. But it has been harder to find photographic beauty in fire-scarred landscapes. This scene merges those two notions. This forest had been burned in a management fire a year or two earlier, scorching the lower trunks of these trees and consuming some excess litter. But when I made the photograph the forest was again looking quite healthy, albeit with visible signs of the fire remaining.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Over 6000 Posts!

Golden Gate Bridge. July 3, 2005. © Copyright Dan Mitchell — the first photograph posted at the G Dan Mitchell website.

As I was setting up today’s photograph (it will appear shortly) I happened to notice that I just passed 6000 posts on this blog! I had been posting photographs for a while before that on other blogs (for example, the old “Dan’s Outside,” which focused on backcountry adventures, and my teaching websites which date to the mid-1990s), but back in 2005 I decided to start a blog dedicated to photography.

The first post here (the obligatory “It Worked!” post) was on July 10, 2005. It was followed by a post explaining the plan to start sharing photographs on the web in a more organized fashion. The first photographic post came on July 16 of that year — it was the black and white image of the Golden Gate Bridge in fog shown above.

At first the posts were a bit irregular. Sometimes I posted several in one day. Other times there were gaps of several days between new posts. On August 16, 2005 the first string of daily photographs appeared, though there were still breaks when I was in the field for a few days or longer. (Posting photographs remotely was not so simple back then!) But I’ve been continuously posting new photographs here since the end of that month in 2005! Believe it or not, that is approximately 5000 daily photographs posted at this blog!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

What You Get Is Not What You See

Recently I spent more than a week photographing in a beautiful area of the Sierra Nevada backcountry. A short walk above the spot where we camped was a magical meadow — a place filled with light, grasses still green but starting to turn golden, high elevation trees scattered around the edge of the meadows, and a deep valley separating us from alpine valleys topped by steep granite peaks and ridges with scattered snow fields. At times clouds would float by and add some interest to the blue Sierra Nevada sky.

What I saw

Here is one of several photographs I made in this meadow, with the first example being a small version of a print-ready final interpretation…

Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Here is another version of the photograph, straight out of my raw file conversion program and before I did additional work in Photoshop…

File after raw conversion operations

I think it reflects fairly well what I saw while I stood behind the tripod as light softened by closer clouds spread across the meadow. I’m confident that anyone who had been there with me would agree.

What the camera saw

But that is not what the camera saw. Here is what my captured file looked like before I did my raw conversion post-processing…

RAW file as exposed before conversion processing

Yuck!

This SOOC (“straight out of camera”) image looks pretty bad. The sky is OK, but the meadow is dark and flat-looking, not showing the actual quality of light at all, and the forest appears to be almost completely black.

What’s up here? Am I trying to trick you and present a false version of the scene? Am I an incompetent photographer who completely blew the exposure? Am I trying to “compensate” for a bad exposure by using radical post-processing?

The answer is “none of the above.” Continue reading What You Get Is Not What You See

Tourists, Evening, San Francisco Bay

Tourists, Evening, San Francisco Bay
Tourists pause in the evening at the end of a pier on San Francisco Bay

Tourists, Evening, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Tourists pause in the evening at the end of a pier on San Francisco Bay

I was in San Francisco to meet up with a group of fellow (mostly) street photographers, first for dinner along the fringe of Chinatown and then out to make photographs afterwards. We finished dinner and headed out before sunset, beginning by photographing in the long shadows cast by early evening light in the downtown canyons. Since many in the group wanted to photograph the waterfront we headed that direction. I was geared up more for night street photography — typically done handheld rather than with the tripod I might choose to use for architectural or urban landscape photography — but I hung in with the group anyway.

At the waterfront, after wandering in and around some buildings, the group was of a collective mind to head out on one of the pedestrian piers that juts out into the Bay. Again, this was a bit different from what I had in mind, but there is no denying the attractions of being out over the surface of the Bay as the evening comes on and things quiet down. I photographed some fishermen, a few passing boats, bridges, and back towards the urban waterfront buildings.Eventually, as it became quite a bit darker, I took a moment to photograph a small group of what I assume must have been friends, sitting out near the end of the pier and conversing in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.