Tag Archives: post

Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite
Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter moon rises through post-storm clouds above Yosemite Valley, California

On this winter evening, photographing the “usual subjects” in Yosemite Valley was not easy. This was the weekend of the Horsetail Falls pilgrimage, and hundreds or perhaps thousands of people were lined up with cameras in hopes of making their photograph of this thing/event – but for most this was not to be as the water fall was almost dried up and clouds blocked the sunset light. It had been a cloudy day, starting out with rain and staying that way for a good part of the day, with even a bit of light snow at times. As evening approached it looked like the cloud deck was going to remain thick and low and that it would likely be a gray evening.

With it looking like the potential for inspiring light was quite low, we went to Tunnel View – it seemed as good as any other option, it can be an inspiring place even when it doesn’t provide inspiring photographic opportunities, and I was with someone who had not really tried to photograph there. When we arrived there was some clearing, though the clouds seemed to remain thick to the west, meaning the no brilliant light was likely to be seen. I put a long lens on my camera and worked the upper rim of the Valley to my right, about 90 degrees away from the direction most were shooting, but where fog and mist drifted across the rim, granite pinnacles and cliffs, and among trees. As I watched this I noticed the nearly full moon occasionally poke out from behind clouds above Sentinel Rocks as the clouds and mist drifted this way and that. Since it was that early twilight time when a good exposure for the light of the moon can also work for other subjects such as clouds, sky, and mountains, I swung the camera around and watched the drifting clouds, waiting or moments when the took on interesting shapes and when the moon was visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Little Story About Posting Daily Photographs

First, why the heck do I post a new photograph every day?! I have been doing this now for more than five  years, believe it or not. (I don’t know for certain when I started, but by dividing the number of photographs in my online gallery by 365, it looks like it may have been almost seven years now!) I have no illusions that it is possible for me to post something close to an incredible photograph 365 times each year, so for this purpose I’ll settle for merely credible! One impetus for this project probably comes from my background in music, where practice is regarded as central to developing and maintaining the ability to function artistically – and a goal is to do the thing so regularly and so often that the doing becomes almost intuitive and the technical stuff becomes less and less daunting – though it never quite disappears. So my daily photographs are essentially the part of my “practice” that I’ve chosen to make public.

Since I’m almost continually producing new photographs – continuing down familiar paths and trying to improve the results or trying things that are new to me – I generate a lot of photographs. My primary goal is to line them up for posting at the blog on that new-photo-per-day basis. I often have at least some photographs ready to go and queued up for posting well ahead of time.

Typically, I might have a week’s worth or so in the pipeline, though there is some variation. On a few occasions I have had nothing ready and I actually had to go out and make a photograph for posting on the day it was posted! On other occasions I’ve had a much bigger line-up of photos ready to go. (Right now my “problem” is that I have too many in the pipeline! I’ve already selected and lined up photographs through the end of March! This makes it hard to post work that I’m doing right now that I would like to share. For example, I have more work from a recent shoot at Point Lobos, some long-exposure work from early January,  and there are still photographs from my extensive photography in Utah last fall. (I’m also working on a long term project to photograph musicians, and none of that work has appeared here yet.)

When a new photograph is ready, it becomes part of a “sharing workflow” that accomplishes the following:

  1. I queue the photograph up at my blog, scheduling its appearance there weeks or even months in advance. I write the descriptive text at the time I put the image in the queue.
  2. Out of habit, I also post the image to my old Flickr account as part of the process to queue it at my blog. (Hint: you can often see my photographs at Flickr before they show up elsewhere, since I have no way to delay the posting there.)
  3. On the day when the photo finally shows up at my blog, I do a quick bit of copying and pasting to create the daily posts at Facebook and Google Plus. The Facebook posts are rather minimal, usually containing little more than the image and the title and basic description, along with a link to the blog. I incorporate more information with the Google Plus posts, including an excerpt from the full post at my blog along with a link back to the blog post. A blog plugin also automatically shares a message on Twitter and a very brief one at Facebook.
  4. From time to time I may also share some photographs at 500px or Pinterest, though that is not a regular part of my workflow.

There are a few variations on this process. At times I’m in places where I simply cannot go online and post – perhaps I’m backpacking or just too busy. When this happens, Facebook may only show the tiny thumbnail image that is automatically posted from the blog, and I may have to forego the usual larger image. I can use a Chrome browser plugin to pre-schedule new Google Plus posts on those days.

Sometimes people wonder how it is possible to find time to do all of this and whether it is worthwhile. The first question is easier to answer. At this point, I have the whole process simplified to the point that it actually takes me very little time. The second question is a bit trickier, but on balance it is worthwhile – though there are days when I think about how it might be a bit easier to simply not post every day… but then I do it anyway! :-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cedar Breaks, Dusk Light

Cedar Breaks, Dusk Light - Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah
Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah

Cedar Breaks, Dusk Light. Cedar Breaks National Monument, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah

This view of the red rock formations at Cedar Breaks National Monument is from a different portion of the area than shown in the photograph I posted previously, and was made on a different day. Earlier I had photographed aspen color far below in an area of the Dixie National Forest, and when I finished there it seemed like there might be just enough time to swing by this overlook during the very last light of the day. One thing led to another – primarily photographic distractions, if I recall correctly – and when we arrived it was literally the last sunlight, and it was going fast.

By the time I got my gear together and walked out to the edge of the drop-off, the direct sun was pretty much gone, as a consequence of the late hour and of the clouds that were in the west. But sometimes the most beautiful light comes after the sun drops below the horizon, when features are lit by the soft yet colorful western sky and shadows are filled in by this more diffused light. Fortunately it wasn’t too windy – unlike the previous day when the winds were howling – so I was able to continue shooting into this evening light a bit before packing up and heading back to Brian Head.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Columbus Tower

Columbus Tower - The green exterior of Columbus Tower, San Francisco
The green exterior of Columbus Tower, San Francisco

Columbus Tower. San Francisco, California. August 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The green exterior of Columbus Tower, San Francisco.

This striking “flatiron” style building stands on a thin corner along Columbus Avenue which angles across San Francisco between the financial district, through North Beach, and eventually toward the waterfront. I had seen the building for many years, but hadn’t stopped to wonder about its story at all until I made this photograph. It was apparently constructed right after the 1906 earthquake, making it now over a century old. Much later in its interesting history it apparently begin to fall into disrepair. Eventually it was purchased by Francis Ford Coppola, who used it for his businesses.

On one of my “personal photo walks” though sections of San Francisco, I passed by after stopping for coffee in North Beach and heading back toward Market Street. The building is striking in many ways. The flatiron design always stands out, as the building is very narrow and very tall and stands at the end of a very narrow block of buildings. The intricate exterior would be worthy of attention even without its striking copper green color. I photographed the building from very close – an approach that I’ve been working with recently – placing a street lamp in front of the building and allowing the perspective distortion to remain in the shot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.