Ambient light floods the side of a building and old railroad tracks with green-tinted light, Mare Island Naval Ship Yard
A friend recently shared a photograph of a bit of curving railroad track, and I recognized it as being the same track that appears in this photograph from seven and a half years ago. I went back to look it up to share it with him, and in doing so I realized that I seem to have not shared it previously — so I’m rectifying that with this posting!
I have been photographing this location at night for over a decade now. I’m pretty certain that my first visit was back in 2003, when I happened to see an announcement of an event sponsored by The Nocturnes the San Francisco Bay Area night photography group. I had seen photographs made at night, of course, but it wasn’t anything that I had ever done, so I showed up. I was quickly hooked, especially when it comes to photographing urban and industrial areas in ambient light. This photograph is fine example of what attracts me about that light. If you were there in person, you would not really see anything quite like this — it was so dark that most of the details would be lost in shadow, the intense colors would be invisible to your eyes, and the only real details would be on the small lighted wall in the distance. But the camera can see what the eyes cannot. Here that includes not only the details in shadow areas, but also the wild colors that are produced by artificial lights.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.
A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard
This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.
Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard
I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.
A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard
There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.
Metal wall with white doors, window, and Reserved Parking sign
The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.
White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance
This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The “Rhyollite Ghost Casino” was originally the railroad station in what is now the ghost town of Rhyolite, Nevada.
This building in the ghost town of Rhyolite was originally a (very expensive) railway station that was abandoned when the town itself was abandoned after the nearby mines ran out of profitable ore in the early 1900s. According to several sources I have read, the building was then turned into a bar and casino, and many years later was for a time a curio shop and museum. Today it is boarded up and behind cyclone fences – more off-limits than almost any other structure in the ghost town.
I would live to get beyond the fencing and photograph this building more closely. It looks, in some ways, surprisingly modern for something that was constructing in the middle of nowhere about a century ago, and there are a number of interesting elements in the architecture. (I have photographed some of them, and eventually I’ll perhaps post a few.) The green sign on the front of the building appears to be a repurposed sign from the railroad station days. Underneath the fading “Rhyolite Ghost Casino” lettering, barely readable in this photograph, is and older sign declaring in larger print, “Rhyolite.” A walk around the structure reveals other interesting details, including one area that looks like it might have been a booth for a fortune-teller.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A bridge crosses railroad tracks at the Olympic Sculpture Park, Washington.
Back in 2008 I travelled to Seattle on mostly family business. I arrived a bit early and ended up spending some time wandering around the Olympic Sculpture Park, a place I enjoy both for the art and for the architecture and other features of this public space.
The bridge across the railroad tracks had interested me previously, but I’ve found it a difficult subject to photograph – somewhat surprisingly, since it seems to me like such an obvious thing to photograph. So in this image I more or less obscured most of the bridge itself, leaving not much more than the white vertical supports along its exterior and its overall shape and mass. I thought that the relationships between the texture of the metal bridge and the concrete underneath was interesting, as were some of the relationships between various shapes and angles. As I have done in a few other recent photographs, I played around with “pure” color and black and white renditions of the image – in the end deciding to sort of split the difference, thinking that a somewhat de-saturated color image might be most in line with my memory of the place and the scene on that winter day.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
