Tag Archives: red

Stained Sandstone, Lichen

Stained Sandstone, Lichen
“Stained Sandstone, Lichen” — Lichen grows along a water stain on a Utah sandstone cliff face.

I recall the first time that I became truly aware of the variety of patterns and texture found in the Sandstone faces of The Southwest. I was photographing deep in a canyon in the Grand Staircase-Escalante National Monument with friends when I got the idea to keep my eyes open for petroglyphs, something I had not previously thought much about. Before long, I started imagining petroglyphs everywhere. Eventually, realizing that was impossible, I figured out that the rocks and erosion processes themselves produce remarkable patterns.

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Stream and Sandstone Cliff

Stream and Sandstone Cliff
“Stream and Sandstone Cliff” — Sandstone cliffs at the bend in the canyon of a remote Utah river.

This is a photograph from over a decade ago. (More on how it ended up here today below.) A small group of us spent time photographing in Utah, often in remote places. One day we dropped into a canyon and followed this stream. As so often happens in these narrow, winding canyons, “one good turn led to another,” and we kept going as each bend revealed another interesting section. We finally stopped very close to this scene, made some final photographs, and headed back upstream.

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Fractured Surface

Fractured Surface
“Fractured Surface” — Fractured dry mud, Death Valley.

Yes, more dried mud! As I have written before, for reasons that still mystify me, this is an irresistible subject for many landscape photographers… and I’m no exception. What explains it? The colors? The contrast with surroundings? The fractal shapes?

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Bench, Wall With Fado Tiles

Bench, Wall With Fado Tiles
“Bench, Wall With Fado Tiles” — A bench on a slanted sidewalk and a wall with Fado tiles, Lisbon.

I love little off-kilter scenes like this one. In the center are two tile illustrations of the fado music tradition of Portugal. (The tiles were seen in an earlier post on this website.) They are aligned to perfect verticals and horizontals. But everything else tilts — the bench on the cobbled sidewalk, the pipe that frames the image, the wiring attached to the walls. A door at the left, barely intruding into the frame, is the only other thing that lines up.

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