Tag Archives: reflected

Photographs: Mono Lake, Photographs: Nature

Dawn Reflections, Mono Lake

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Dawn Reflections, Mono Lake
Colorful dawn light reflected on the surface of Mono Lake.

Dawn Reflections, Mono Lake. © Copyright 2023 G Dan Mitchell.

Colorful dawn light reflected on the surface of Mono Lake.

On this morning I had a particular scene in mind to photograph at Mono Lake, so I was at that location before sunrise. I worked that subject until just before the sun actually rose, as planned, and then I turned to something different — the surface of the huge lake itself, slightly disturbed by morning breezes, with waterfowl here and there, as the sun was just about to top a mountain range fare to the east. I angled the camera downwards to keep the sky out of the frame, including just a bit of the distant mountains many miles away beyond the far shore.

On a clear morning like this one, the most intense sky color comes before sunrise, after which the brilliant sun washes out the colors that are visible earlier. To make this photograph I aimed the camera directly toward the point on the horizon where the sun would rise, so the very brightest portion of the colorful sky was strongly reflected on the lake’s surface.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dried Mud, Canyon Light

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Dried Mud, Canyon Light
Dried canyon mud illuminated by reflected canyon light, Grand Staircase-Escalante National Monument, Utah

Dried Mud, Canyon Light. Grand Staircase-Escalante National Monument, Utah. October 25, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dried canyon mud illuminated by reflected canyon light, Grand Staircase-Escalante National Monument, Utah

There are at least two stories in this photograph. The first one can be read directly from the materials, patterns, and colors of the photograph. The location is the bottom of a wash, a shallow canyon that is often dry but which may flood during rain. When water flows everything is rearranged. Sand settles to the bottom, a fine silt may lie on top, and eventually the layers dry in this warm climate. The dried silt contracts and splits then curls into odd shapes — here some of the silt has formed small tubes and all of it has rolled up and separated from the underlying red sand. On a sunny day like this one the light strikes canyon walls high above and bounce among them, picking up the color of the red rock and softening. The red light that suffuses the scene is contrasted by a slight bluish tint that comes from blue sky vaguely reflected on smoother parts of the dry silt.

The second story involves a group of a half-dozen photographers and friends. After a rather lazy morning of breakfast and coffee and conversation, we finally set off on foot down the wash that passed by our camp. As we walked the canyon narrowed and before long rocky walls began to rise on both sides — a common story in this terrain. Rounding a bend we caught sight of… dry mud. What happened next would probably perplex or amuse any non-photographers who might have happened by. In this grand landscape of towering walls and deep valleys, we spent the next half hour earnestly bent over tripods, carefully and repeatedly photographing… dried mud.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Walls, Reflected Light

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Canyon Walls, Reflected Light
Canyon Walls, Reflected Light

Canyon Walls, Reflected Light. Southern Utah. October 19, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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