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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Cranes at Dusk

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Cranes at Dusk
“Cranes at Dusk” — The evening fly-in of lesser sandhill cranes at dusk.

We spent New Year’s Day with friends, after getting up early to greet the literal dawn of the new year. OK, it was kind of cloudy and we didn’t see the sun until later. But still, it was a great day and a fine group to share it with. We photographed birds and landscape, and we shared food and drink that each of us had brought for the occasion. The day culminated with the evening fly-in of sandhill cranes.

The sandhill cranes stay in nearby ponds overnight, and around dawn many of them get up and fly away for the day. Typically they return at dusk, when there’s barely enough light left for photography, and their characteristic cries mark the end of the day. This small group was cooperative enough to pass through a patch of beautiful, colorful twilight sky just before landing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

The Cranes Return, Dusk

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The Cranes Return, Dusk
As the day ends, sandhill cranes return to the wetlands.

The Cranes Return, Dusk. © Copyright 2020 G Dan Mitchell – all rights reserved.

As the day ends, sandhill cranes return to the wetlands.

Sandhill cranes are often the first birds I am aware of in the early morning and the last I look for in the evening before I put my camera away. In fact, the boundary between enough and too little light often comes during their evening return, so it isn’t unusual to end the day just watching them.

I’ve never quite figured out where they go during the day, though I suppose that some investigation would turn up the answer. (In a West Coast location I once found thousands of them in a dry, barren, out-of-the way place where I was virtually alone with them.) I’ll never forget the first time I experienced their evening return. At the end of a day of photography it was becoming dark — too dark, I thought, to continue. As I was about to pack up my gear I heard a remarkable sound coming from the southeast, a sound that I didn’t understand then but which I now recognize immediately as that of the returning flocks. A few moments later hundreds (more likely thousands) of them arrived, filling the sky, and then descending to nearby ponds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Night, Photographs: Wildlife

The Cranes Return

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The Cranes Return
Sandhill cranes fly over full moon in twilight and return San Joaquin Valley wetlands

The Cranes Return. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sandhill cranes fly over full moon in twilight and return to wetlands

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

The Cranes Return

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The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.