Tag Archives: ripple

Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Water Plants

Water Plants
Water plants reflected on the surface of a wetland pond.

Water Plants. © Copyright 2012 G Dan Mitchell – all rights reserved.

Water plants reflected on the surface of a wetland pond.

In another post that I queued up recently I mentioned some aspects of the experience of photographing migratory birds, pointing out that a lot of “down time” is part of the experience — times when there isn’t a lot of action going on. The birds may be static — or missing! — and one waits. In that other post I point out that these slow times are certainly not a bad thing! The quiet stillness can grow on you eventually, and there are other things to see and photograph, too.

I’m not at all a “pure bird photographer.” When I’m in the field photographing this subject I spend a good portion of my time thinking as a landscape photographer. Even when the primary subject is a bird or birds, I often consider how that bird is part of the landscape. But I also frequently switch gears entirely and focus on the space in which the birds live… and I photograph landscapes. On this occasion I was working a wetland area and the reflections of plants in the water caught my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tail of the Humpback

Tail of the Humpback
The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Tail of the Humpback. Monterey Coast, California. September 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Back in early September I had a remarkable morning at the Point Lobos State Reserve along the California coast just south of Carmel. This has been a year of unusual weather and unusual ocean conditions, including much warmer than usual waters. Most likely as a result of this, sea life has behaved in unusual ways — for example, certain species that are rare along the coast or that usually stay farther out to sea have shown up right along the coast. That was the case on this morning when huge schools of small fish had apparently appeared very close to the rocks of Point Lobos.

When I went there on this morning I suspected that I might spot some whales, but what I saw exceeded my expectations. I arrived and walked out onto a high bluff that extends a way out from the shoreline, and from here I could immediately see commotion on the surface of the water very close — thousands of birds were obviously feeding on something. Within moments I spotted my first humpback whale and before long many more showed up. Every so often they engaged in spectacular examples of bubble feeding, in which groups of them work together to corral the fish they feed on, at which point the group suddenly breaks the surface all at once, with gaping mouths wide open to catch a meal. This photograph is a bit less spectacular, but it is still a special experience to watch these huge creatures slowly glide below the water’s surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Patterns, Evening Light

Sand Patterns, Evening Light
Sand Patterns, Evening Light

Sand Patterns, Evening Light. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low angle evening sun highlights the patterns of a Death Valley sand dune

On my second day in Death Valley National Park — my first full day of photography there on this trip — I made a long journey down into the southern reaches of the place, driving out on some less used back roads and getting into some places I had not visited before. Death Valley National Park is a huge landscape, and getting from place to place there can become quite a production, especially if you get off of the main paved roadways and get into the back-country on the many unpaved roads. In terms of absolute mileage it probably would not seem like I went all that far, but the actual driving time was many hours. I first headed up a canyon toward an abandoned ranch and mine area, then went far to the south and took an alternative route back to the north, using a long unpaved road though high desert country.

Late in the day I made it back to my basic but functional camp at Stovepipe Wells, took a short break, and decide that it might be good evening for some sand dune photography. The closest dunes to this area are iconic and are perhaps among the two or three best known sites in the park. I don’t necessarily avoid photographing that well-known view, but I’ve seen that so many times that these days I’m a lot more interested in looking for other subjects in the dunes. For the most part I pay almost no attention to the icon here, instead preferring to wander off into lower sections of the dunes. I walk slowly, following my instincts, watching to see what might appear. In the end it could be a large view across vast acreage of dunes, or it could be some tiny subject at my feet. There had been a big wind and dust storm during the past 24 hours, and I found lots of newly made patterns in the sand. I photographed this subject in evening light, when the low angle sun highlighted the patterns of newly made ripples in the sand.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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