Tag Archives: shelf

Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Wildlife

Pelicans and Coastal Bluffs

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Pelicans and Coastal Bluffs
A line of pelicans flies toward bluffs along California’s Pacific coastline.

Pelicans and Coastal Bluffs. © Copyright 2023 G Dan Mitchell.

A line of pelicans flies toward bluffs along California’s Pacific coastline.

Brown pelicans seem to have made a solid comeback along the California coast, though I understand that they are susceptible to the avian flu that has affected many wild bird species this season. They are usually easy to find along the California coast, where they can often be spotted gliding along next to bluffs or just above the surf. (Photography hint: Look for places along bluffs and peninsulas where they pass close to the land.)

They sometimes can surprise me. I’ve been out along the coast on a day when they didn’t seem plentiful, only to have a large group like this one suddenly appear and glide past. If I recall, when I saw these birds coming I had the wrong lens on the camera. I made the fastest lens change I could, raised the camera, and had just a barely enough time to photograph them above these coastal bluffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: San Francisco, Photographs: Urban/Street

Chinatown Merchandise Racks

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Chinatown Merchandise Racks
Unused merchandize racks sit on the sidewalk

Chinatown Merchandise Racks. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Unused merchandize racks sit on the sidewalk

I photographed these well-worn and utilitarian merchandise racks on a walk down a Chinatown side street last summer. It almost appeared that they had been demoted from active use to side-street storage, and that perhaps they were just waiting to be dragged away, or possibly they were being kept around long enough that they could still be pressed into service if needed.

I like trying to read (or read into) the possible history of artifacts like these. For example, they give every indication of being “home-made” by folks who don’t follow construction “rules,” but who have probably built such things before. The colors are wild, between the fluorescent green and the yellow, red, and blue of graffiti. I love the angle on the lower front of the rack at the left — all I can figure is that it must have been designed to match the slope of the particular San Francisco street where it was once used.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks, Wave, Horizon

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Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks, Surf, and Dusk Horizon

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Rocks, Surf, and Dusk Horizon
Rocks, Surf, and Dusk Horizon

Rocks, Surf, and Dusk Horizon. Pacific Coast, California. August 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A curving rock shelf extends into the “blue hour” Pacific Ocean surf and toward the fog-darkened horizon as night approaches.

A short, evening visit to the California coast above Santa Cruz began with photography in golden hour light in areas where the fog bank hung just offshore with moist air over the coast creating a gentle, misty atmosphere and soft light. We photographed a few subjects in this light – and looked at others that we did not stop to shoot – and continued north as the sun dropped toward the horizon, where the fog waited to envelop it. We stopped at a beach where large groups of pelicans were resting and then resuming their flight along the coast, and noted that there was still a bit of light in the sky and, oddly, below the bottom of the fog bank along the horizon. As this light died, we turned briefly north, and I soon saw this rocky bench extending into the ocean waves.

Following the evening golden hour there is a time that some call the blue hour – when the warmer colors of sunset drain from the sky and we are left with soft, blue light. It might have seemed odd to anyone watching me photograph this rocky feature, but instead of hurrying to shoot it before the light faded, I took my time – I wanted the light to fade, both for the mysterious blue coloration and because this would make it easier for me to use extended exposure times to allow the water to soften and blur a bit. When I began shooting it was only dark enough to get exposures of perhaps a second or two – at least without adding a neutral density filter – but as I waited, making an occasional photograph in the interim, the light began to move toward a near-night state, and I was able to get exposures of 15 seconds or longer… and that blue light that I was looking for.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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