Tag Archives: sierra

Morning Light, Haze, El Capitan

Morning Light, Haze, El Capitan
Beams of early morning sunlight pass through haze to illuminate El Capitan

Morning Light, Haze, El Capitan. © Copyright 2018 G Dan Mitchell – all rights reserved.

Beams of early morning sunlight pass through haze to illuminate El Capitan

I’m coming to think of the start of this particular day in lower Yosemite Valley as being “Bierstadt Day.” Albert Bierstadt was a landscape painter who made several notable renderings of Yosemite subjects in the 1800s, paintings that perhaps formed the image for the park for many who saw them. They are not “realistic” in a photographic sense, but tend toward exaggerating features and using dramatic effects of perspective, atmosphere, and light. When I see Bierstadt paintings I often think both of how they evoked the wonder of seeing remarkable places like Yosemite Valley and of how flexibly and subjectively he treated these subjects. I also think about how little they look like the literal place, as least in objective sense.

However, at certain moments, the quality of light and atmosphere came close on this morning. The morning began inauspiciously, and in the pre-dawn light I could tell that it was cloudy and gray. However, as I approached the Valley from Wawona there were breaks in the clouds. Arriving at my first clear viewpoint, the iconic tunnel view (where I usually wouldn’t stop on my way into the Valley), the view included the usual Valley features, layers of drifting clouds and mist, and beams of colorful light playing across this landscape. I put a long lens on my camera and began to follow the changing conditions, picking out small sections of the grand view that seemed most interesting. At the moment of this photograph (and, indeed, the light lasted only a moment) sun beams broke through the clouds and moved in front of the face of El Capitan.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dogwood Blossoms, Dark Forest

Dogwood Blossoms, Dark Forest
Blossoming dogwoods in dark, dense forest, Yosemite Valley

Dogwood Blossoms, Dark Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Blossoming dogwoods in dark, dense forest, Yosemite Valley

On one morning during my recent sojourn to photograph spring subjects in Yosemite Valley I had extraordinary lighting and atmospheric conditions. The morning produced a number of photographs that have been and will be shared here. They make me think of “channeling Bierstadt” — with effects of clouds and haze and light combined with dramatic ridges and cliffs. This is not one of those photographs. In fact, this image is inserted here to break up the flow of those others…

The timing and nature of some spring events in Yosemite Valley is variable — the amount of snow in the high country and when it melts out, for example, determine the timing and character of river and waterfall flows. Other events hold to a pretty consistent schedule from year to year, though climate change is edging some of these in new directions. One of the fairly consistent events is the arrival of dogwood blooms in the Valley and then in higher locations nearby. When I visited two weeks ago I saw the first buds on these trees and only a few tiny, green blooms. A week later there were many more blooms, and some trees were nearly full of them. I photographed this forest scene, with a primary tree full of blooms and other more distant blooms seen less vividly in the darker forest, one evening after the direct sun had left this spot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

El Capitan, Morning Light and Clouds

El Capitan, Morning Light and Clouds
Clouds and mist shroud El Capitan shortly after sunrise

El Capitan, Morning Light and Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds and mist shroud El Capitan shortly after sunrise

This morning was (yet another) lesson about not making assumptions too quickly, and about being ready to react quickly to changing conditions. I was up well before dawn and after coffee I quickly packed and headed out the door to my vehicle, ready to start the drive from Wawona to The Valley. There was enough light to get some idea of the conditions, and they did not warrant much optimism — the sky was completely covered by clouds, and as I drove they seemed to be getting thicker to the west, suggesting that they were increasing rather than thinning. As I continued to drive, crossing the road’s high point before descending toward Yosemite Valley, the light began to suggest the possibility of breaks in the clouds to the east. Sure enough, as I got my first long view of The Valley, there was open sky in that direction. What had promised to be dull and gray was starting to look more like their could be potential for special atmospheric conditions.

I made a few quick photographs at this first viewpoint and quickly moved on, driving through Wawona Tunnel and existing to the famous view of the Valley. Typically there are very few photographers here in the early morning — the opposite of the typical evening crowd — but the unfolding light show caused some of us to pull up short here and make some photographs. At this point I rarely do “the shot” of the full Valley scene in anything short of astounding conditions, preferring instead to focus on smaller components of the grand scene. As I photographed with a long lens, light appeared and disappeared, clouds drifted, beams struck isolated elements of the landscape, and there were bits of visual drama everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.