Six cranes in flight against California Central Valley winter sky.
This was a very cooperative flock of lesser sandhill cranes. Although, as expected, they did divert away from my position to avoid flying over me as they passed, the did face into the light in just the right way, and they managed to (intentionally, I’m sure!) coordinate their wing positions so that almost all of the basic wing positions are visible. Even more: not one of them blocks another bird, and all of them are completely visible.
I photographed this group on a late-winter day when I had gone to California’s Great Central Valley. Based on past years the departure of the great flocks of snow and Ross’s geese was only days away, and I hoped to photograph them one more time. The end of “goose season” (though a few other types of geese stick around) is perhaps the best time to photograph geese and cranes in their active modes. Huge flocks of both kinds of birds are around, and they are often easier to photograph at this time of year.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Several Ross’s geese in flight above the flock on a foggy morning.
This photograph looks both backwards and forwards. It is retrospective in the sense that it comes from a season that has already passed and from eight years ago. I don’t recall if I was in this place by myself or with friends — I think it was with friends — but I do recall a very, very foggy morning, with the Central Valley tule fog making it difficult to see any distance away. When I made the photograph it had cleared a little bit, but even very close birds were somewhat obscured. I caught this group as they circled around to land and join the flock.
The photograph looks ahead because the season when I photograph these birds is almost here. Some of them have already arrived in California’s Great Central Valley, though the larger groups won’t be here for a bit yet. But by the end of November I’ll be heading out there frequently, typically on a cold and foggy morning well before sunrise, to spend the day with thousands of them.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.
It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.
Woman with Phone, Tall Building
Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.
I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.
MUNI Bus Yard
MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.
A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.
Woman and Dog, Brown Building
Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.
One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.
Pedestrian, Sidewalk
Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.
Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.
Autumn Leaf, Sidewalk
Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.
After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.
Garage and Fence
Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.
A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.
At this point I realized I had a train to catch, and one stop to make on the way there…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A small flock of six Ross’s geese in flight against the sky in golden hour light, San Joaquin Valley, California
Late on this January afternoon – more like early evening perhaps – we were staking out a small flock of Ross’s geese that had parked themselves in a nearby pond. There were not that many of them – nothing like the flocks of many thousands that we have watched on some other evenings, when they gradually depart in small groups over a long period of time, or the very large group we saw earlier this year that mostly just moved around in a pasture near where we were shooting. Each time a small sub group departed on this evening, they created a noticeable decline in the number of birds left behind.
However, they somewhat compensated for their small numbers by means of their more “photographable” departure path, at least in some cases. Rather than flying away from us, some instead flew from left to right in front of our position and some of them even did a few laps overhead before actually leaving. This group of six was among those most obliging geese. They had departed to the right, looped back around to the left, and then flew across in front of us a second time, all the while taking a fairly low flight path. As this group passed by I watched carefully though the viewfinder to try to catch them in an instant when none of them obscured the others in the flock, and I caught such a moment here with the added bonus of a bit of slightly golden late afternoon light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
