Tag Archives: snowy

Foraging Snowy Egret

Almost any time I spot any sort of egret, it seems like the bird is busy eating. The snowy and great egrets, in particular, always seem to be hunting — and they are quite expert at it. I had gone to a little point overlooking a pond, intending to photograph small birds, when I noticed this snowy egret in the plants along the shoreline. I began photographing, figuring that it would quickly fly off or at least begin to edge away — but it stuck around and continued foraging.

The first I heard of these birds was in a college natural history class. The professor was a particular fan of the snowy egrets — I believe he wrann a group working to protect them. Oddly, I don’t recall actually seeing the birds or at least learning to recognize them until decades later. The first egrets I remember seeing were great egrets that I would encounter along creeks in the early morning, but since I began paying more attention I have seen many snowy egrets and a few of their other cousins.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Spring Ice, Snowy Mountains

Spring Ice, Snowy Mountains
A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

Spring Ice, Snowy Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

For many of us the annual re-opening of Tioga Pass Road through the Yosemite high country marks the beginning of the “summer” season, even though it often takes place in late spring. (And, “the season” typically extends into autumn, too.) Whenever I can, I try to be there on the day the road opens. For those familiar with the route from more typical summer visits, the conditions can be a real surprise, especially in years of heavy snowfall and late melts. In the big years there is water everywhere — waterfalls flowing, creeks and rivers are filled to (and beyond) their banks, meadows are flooded, and sometimes the creeks flow right across the roadway. Conditions beyond the road can be quite difficult, approaching impossible at times. (I recall one very early season hike to Parker Pass, when creek crossings were surprisingly challenging and some high elevation areas that are dry in summer were too wet to walk through.)

I decided not to go on the first open day this year, mostly due to weather issues, instead postponing my visit for a couple of days. I did go, and it turned into one of my epic one-day-up-and-back trips. I was on the road shortly after 4:00 AM, went as far as Panum Crater (which I climbed) near Mono Lake, and didn’t get back home until well after midnight. In some ways, this isn’t the ideal time for photography — that can be more interesting later on when the meadows have turned green. Honestly, it is more about kicking off the new season. Late in the day, I headed back up from Lee Vining to cross Tioga Pass and stopped briefly to photograph this familiar lake just the pass, with its remarkable pattern of melting ice and the distance peaks of Kuna Crest still fully covered in snow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Snow-Covered Ledge

Trees, Snow-Covered Ledge
A group of trees growing on a snowy ledge below Glacier Point

Trees, Snow-Covered Ledge. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of trees growing on a snowy ledge below Glacier Point

Near the end of February I made a more-or-less annual winter visit to Yosemite Valley. (Not my only time to visit in winter, but I’m often there around the final weekend of this month, during the last few years to attend the opening of the annual Yosemite Renaissance exhibit.) This gave me a few days to photograph in the Valley during winter, which may be my favorite season there — when clouds can ring the Valley and, if I’m lucky, I might catch some snow.

I made this photograph on a very cold morning, photographing from an open meadow location below the face of Glacier Point, where granite ascends abruptly from behind what I’ll always think of as Camp Curry. I went to the meadow before dawn, with a plan to photograph this wall in shadow and then as the first light began to slant across it from the east. This cliff is a cold place this time of year — most of the time in shadow, dusted with snow, and with frozen water everywhere. The blue-tinged shadow light only increases the effect in this scene of a small group of trees managing to eke out an existence on an angled rock ledge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snowy Egret

Snowy Egret
Snowy egret stands at rest

Snowy Egret. Sacrament Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Snowy egret stands at rest

I recently posted a photograph of a great egret, probably the most striking are recognizable of the egrets found in the parts of California where I photograph. That bird is found in field, creek beds, along lakes and rivers, and even in Pacific Ocean kelp beds. But it isn’t the only kind of egret found in the state. Two others are the snowy egret (seen here) and the small cattle egret. All of them often are found alone, though occasionally in small groups, and all may fly off with the least provocation if you get too close.

This snowy egret seemed to be in a rather inactive mood as I came upon it while driving around the perimeter of a wildlife refuge. Those who aren’t familiar with the California refuges and their regulations might wonder why one would drive rather than walk, but it turns out that this is the rule in most areas of the refuges. One is supposed to stay mostly inside a vehicle and make photographs from the “mobile blind” of the vehicle, supposedly since this is less stressful for the birds. So I stopped the vehicle and then very slowly moved forward a bit at a time, first to get close enough for an initial photograph and then to work my way closer for an even better image. Much to my surprise, this specimen didn’t budge at all, and I was able to stop quite close and make frame-filling photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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