Brick buildings along narrow streets, Bear Gardens, Southwark, London
Yes, another London photograph. We had a bit of time between appointments and we ended up wandering around this area for a while in the evening. Here there are very old brick buildings along narrow streets that twist this way and that. This wall lined up almost perfectly with the setting sun, which glanced across its surface, highlighting the texture and catching an edge of the bricks straight on.
I didn’t share this photograph for a long time. I continued to go back and forth between a black and white rendition — which may allow the forms to seem a bit more abstract — and this version with its warmer colors and more subtle gradations of tones. (On an unrelated topic, why do I keep wanting to write “beer gardens” rather than “bear gardens?” ;-)
Nighttime lights from the Southwark Bridge reflect on the surface of London’s River Thames.
As we walked back across the Millennium Bridge toward the north bank of the River Thames in the evening light, I saw many colorful lights on bridges, boats, and buildings that were reflected in the surface of the river and which stood out against the somewhat hazy blue hour atmosphere. This bridge provides a great location for photographing the reflections since it is, obviously, right above the water and because it is easy to align reflections with various other elements by moving back and forth across the bridge. In this photograph most of the interesting reflections are coming from the Southwark Bridge, with the white lights on the Tower Bridge just visible further along the river.
On a technical note, I relied on a very different sort of photographic gear on this trip. Since our plan was to keep our luggage down to carry-on size – for a three-week trip to three countries – we decided to take some radical steps to downsize the amount of camera equipment we would carry. I normally shoot a full frame DSLR and typically carry a very large tripod and multiple (sometimes many!) large lenses. My normal load of camera gear alone, at least for car-based shooting, would exceed the carry-limits that we would deal with on our international flights – and would also weigh me down more than I wanted during a trip that would include a lot of walking. So for this trip I left my Big Gear at home and instead carried a Fujifilm X-E!, a small cropped sensor mirrorless camera, and only three lenses: a 14mm prime, a 35mm prime, and a 55-200mm zoom. All of this fit in a small messenger bag with room left over for my (small) laptop and lots of other necessities. I bring this up because this photograph was shot handheld with this camera, using the 35mm prime – in a situation and of a subject where I would normally assume that a tripod was necessary. (I’ll be writing more about the experience with this alternate gear soon at my blog.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email