Every time I visit Death Valley I pass close enough to these formations to see them standing in the distance, a striking sight in this otherwise flat valley where there was once a large lake. (They are tufa towers, formed when the area was submerged.) From time to time I detour to photograph them, but they have been a tough subject. I made this photograph on another of those detours, stopping between Ridgecrest and Death Valley before sunrise. The light proved to be challenging, but I had a few moments of lovely side-light shortly after sunrise.
The photograph is a liberal interpretation of the scene. Obviously, the subject is not really monochromatic, but I chose that route because it seems more dramatic. By the use of filters (here in software, but the effect is the same as we got in the old days with glass filters) I have accentuated the contrast in the sky to produce the effect that I had in mind when I photographed here.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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