Tag Archives: state

Wood and Stones

Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Chairs, Whitney Museum

As each season passes, the sensations of the previous season fade. But only a short time ago it was about colorful leaves falling from trees, crunching underfoot, and blowing along sidewalks and trails. I made this photograph as we passed the Whitney Museum at the end of a very long Manhattan walk in late November on one of those beautiful autumn days.

Sometimes the question arises: What is this photograph about? It is hard to be too specific about that. But here the colors are pretty important — the bright yellow of the chairs, the warm orange of the leaves, and the overall cool blue tones of the light. I think it is also “about” the juxtaposition of the constructed urban world and the organic forms of the natural world.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Urban Wild, Manhattan

Urban Wild, Manhattan
Tightly packed buildings and large trees, Manhattan.

Urban Wild, Manhattan. © Copyright 2023 G Dan Mitchell.

Tightly packed buildings and large trees, Manhattan.

This photograph embodies something about Manhattan that I’ve mentioned before: For such an intensely urban place, there are a lot of examples of the natural world. It isn’t the kind of (ostensibly) “pure” nature that we see in the America West, but I sometimes think that its close juxtaposition with the city environment almost makes it more precious. We have whole forests out here in California, but in Manhattan a single tree can sometimes mean almost as much.

I saw this scene from the High Line Park as we walked its length last November. To those of use used to living with more space around and between us, the closeness of urban abodes along this park is surprising, and it almost seems voyeuristic to take a long look through the trees in someone’s tiny yard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pier 57, Crane Barge

Pier 57, Crane Barge
A crane barge docked next to Pier 57, Manhattan.

Pier 57, Crane Barge. © Copyright 2023 G Dan Mitchell.

A crane barge docked next to Pier 57, Manhattan.

Manhattan’s Hudson River waterfront fascinates me. It is a busy place with lots of vehicle traffic, but many facilities along the shore have been and are being transformed. Old piers fall into ruin, others are converted to new purposes. New structures extend the city over the water. I made this photograph at one of those new places, the “Little Island.” It seems to grow organically from the water, and it houses a busy little park with enough elevation to provide good views of the surroundings.

This photograph looks up the shoreline to Pier 57, a renovated structure that is now a commercial space and which includes its own park. The relationship between the building’s green paint and the red-orange color of the crane caught my attention, as did the colorful reflection in the water just beyond the old pilings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.