Tag Archives: station

Trees at Twilight, Lower Manhattan

Trees at Twilight, Lower Manhattan
Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan

Trees at Twilight, Lower Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan.

At about this time two years ago, near the end of the Before Times, we were in New York City for the holidays. It was a trip much like previous visits there — we mingled in gigantic crowds, walked almost everywhere, occasionally froze in very un-California weather, ate in packed restaurants, and did pretty much all of the things one does in a busy, crowded, and intense place like New York. Although we had no idea at the time — the first news of the oncoming pandemic had still not arrived — this would be the last big trip like this for years.

I mentioned above that we walk a lot in Manhattan. Those who don’t know the place are, it seems, often surprised to find that almost everyone there walks, residents and visitors alike. Certainly part of the reason is that it is not a friendly place to drivers. But it also really is a friendly place to walkers, despite what you might think. We always wander around on foot a lot when we visit, and even in winter we’ll sometimes walk long distances. This was one of those days. We started in more or less Midtown and then headed south all the way to Lower Manhattan below the City Hall area, where we met family members. Close to our destination we passed this scene at a subway entrance near City Hall as the day was ending and evening lights were appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hot Shower $5.00

Hot Shower $5.00
An inviting sign on a door at a trailhead packstation in the Eastern Sierra Nevada.

Hot Shower $5.00. © Copyright 2021 G Dan Mitchell – all rights reserved.

An inviting sign on a door at a trailhead packstation in the Eastern Sierra Nevada.

I have been a Sierra backpacker for a long time. How long, you ask? A significant number of decades. My first backpacking trip, something I had dreamed about for a few years, was the summer I turned 16. Two buddies and I headed off into the Desolation Wilderness for something like five days. Unsupervised. (I still cannot believe that my parents allowed this.) Both friends had at least some backcountry experience, one with his family and one in the Boy Scouts. But this was all entirely new to me.

Often we think of the peak moments in the backcountry, the astonishing sunrises, climbing to the summit of a peak, and encounter with wildlife, visiting a place to which few others have been. Or perhaps we tell “hero stories” — the time I took a five day pack trip with a broken toe, my first solo (two weeks long), bad weather, getting lost. But the truth is that a lot of the experience is based on some pretty simple pleasures: sitting on a comfortable rock as the day ends, eating that freeze-dried food out of the pot, traveling for days with friends… and that shower at the trailhead when you return from a week or more in the backcountry.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Formerly Bob’s Auto Service

Formerly Bob's Auto Service
A downtown garage in San Francisco

Formerly Bob’s Auto Service. © Copyright 2018 G Dan Mitchell – all rights reserved.

A downtown garage in San Francisco

I often walk past this business when I take the train to San Francisco to do street photography. My typical circuit has me doing some sort of walking loop to the north from the train station and then back by a different route. This shop is on a very busy intersection, squeezed into a small space. It looks like it has been there forever, and there is empirical evidence of this if you look closely.

These places fascinate me for a whole bunch or reasons which range from purely visual to questions about the story that might lie behind them. Visually, I’m challenged by trying to see some kind of shape and order in urban chaos, but I also like the sometimes wild layers of color on business that use it to gain visibility. In addition, especially on individual businesses that have been in a location for a while, elements appear that reflect ownership and/or management by individuals — as differentiated from the slick and ultimately uniform appearance of chains and be businesses. Here I love the hand-painted blue letters across the top of the building — they are not up to the “standards” of contemporary design, but they reflect someone’s great care in producing them. Below that, on the yellow panel above the garage, you can look closely and see the painted-out words that I used for the title of this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.