Tag Archives: strata

Light in the Canyon

Light in the Canyon
Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

Light in the Canyon. © Copyright 2023 G Dan Mitchell.

Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The White Rock

The White Rock
A solitary white rock, wedged into a gap coastal strata near the tide line.

The White Rock. © Copyright 2022 G Dan Mitchell.

A solitary white rock, wedged into a gap between coastal strata near the tide line.

These little Pacific Ocean shoreline scenes fascinate me when I slow down and spend time taking in their details. It is easy to focus on the big landscape and miss them, but they often reward slow, eyes-open wandering with plenty of surprises — colorful rocks, bits of shells, occasional sea critters, and more.

There’s a lot going on in this little scene — more than I can fully understand, much less explain. The underlying rock is stratified and upended, so that the lines of contrasting colors run along the surface, in places carved into curving shapes by the sea. That pile of small rocks in the lower half of the frame includes a remarkable variety of rocks and a few bits of shells and other things washed up from the sea. The rocks are wet, indicating just how close to the waterline I was working. As near as I could tell, the big white rock was the only one like it in this spot, leaving me a bit mystified about its source.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Layers and Folds

Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Twisting Canyon

Twisting Canyon
Canyon narrows twist through mountains of Death Valley National Park.

Twisting Canyon. © Copyright 2022 G Dan Mitchell.

Canyon narrows twist through mountains of Death Valley National Park.

Near the end of March we spent an afternoon hiking up this narrow desert canyon in a somewhat remote location in Death Valley National Park. Our plan was to be in its narrows, of which there are several, at a point in the afternoon when there was still plenty of light reflecting down from above… but not so much direct light from the midday sun. So we hiked directly up the canyon without making too many stops, passing right through the narrows without stopping. We took a break, unpacked photographic equipment, and reentered the canyon to begin our return hike, which would be much slower as we stopped to photograph.

In this section the narrow canyons walls were not only close together, but they also twist and turn quite a bit. The wash at the bottom of the canyon here follows a rather zigzag path, perhaps following some ancient weaknesses in the rock. Here there were also more large rocks on the canyon floor than I typically see in these narrow sections — my assumption is that the water, diverted by this winding path though the twisting section, may be a bit more likely to drop its load of rocks and gravel here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.