Tag Archives: surface

Tule Fog and Reflection

After starting the morning in fog so thick that I could not see (or photograph), I stopped here along a levee road as the fog began to thin. I still couldn’t see much more than perhaps fifty yards along the ground, but the tule fog was shallow enough that light penetrated it and I could see the sky. As the sun rose above the Sierra it broke free of clouds and its light reflected on the surface of this pond.

Color in foggy conditions is a tricky thing. Looking into the foggy void, everything seems essentially gray. But the atmosphere picks up all sorts of colorations — the warm tones of sunrise light, the blue of the sky, and sometimes combinations of these things. Here the light took on a slightly pink quality that didn’t completely wash out the blue from the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Reflection, Winter Sky

Part of what I like about this photograph of the reflection of winter sky in a wetland pond is that there is almost nothing solid in it — aside from some scattered plants in the pond it is entirely sky, clouds, water, and reflections. There is almost a horizon out there somewhere, but it is hard to detect since it is obscured by tule fog.

Although there’s little in the photograph to rule out other options, the location happens to be in Central Valley wetlands. In good years, rainfall fills these ponds in the winter through early spring, and areas of solid summer ground become lakes, some quite large. They are more than a visual marvel — winter birds and, later, spring plants rely on their annual formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake and Sky, New Hampshire

Lake and Sky, New Hampshire
Water lilies, reflected sky, and autumn colors at a New Hampshire Lake.

Lake and Sky, New Hampshire. © Copyright 2022 G Dan Mitchell.

Water lilies, reflected sky, and autumn colors at a New Hampshire Lake.

You may have seen a different version of this scene rendered in black and white — I posted it not long after our return from photographing New England fall color this year. During the first days of our visit we photographed in the iconic Kancamagus Highway region between Concord and Lincoln — and it was, as predicted, quite spectacular, if crowded. But then we began to explore a bit more widely, and we stopped to photograph this lake on a long loop that took us much farther north in New Hampshire.

There’s one other semi-notably thing about this photograph — I made it on an iPhone 14. I’m not giving up my Big Boy Cameras any time soon, but on this trip I played around with using the iPhone to capture some subjects — quick panoramas, record shots, photographs after dark. In a few cases, in addition to setting up the big camera and tripod, I put the iPhone in raw-capture mode and made a few photographs just to see what it could do. The answer? Quite a bit!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Reflections, Dawn

 Wetland Reflections, Dawn
Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

Wetland Reflections, Dawn. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.

I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.