Tag Archives: tan

Photographs: Agriculture, Photographs: Northern California, Photographs: Urban/Street

Pink Wall, Midday

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Pink Wall, Midday
A pink wall in midday light, interrupted by shadows, San Jose.

Pink Wall, Midday. © Copyright 2022 G Dan Mitchell.

A pink wall in midday light, interrupted by shadows, San Jose.

This is another of my photographs-while-walking, made on a recent midday walk not too far (perhaps a couple of miles) from my home. Fortunately, we live in an area with excellent walking potential. It includes residential areas, a few urban trails, some interesting light industry zones, some older neighborhoods, and more.

I always carry a small camera with me when I walk. Most of the time it stays in the bag, but every so often I see something that makes me glad I have it. I’ve long been intrigued by otherwise-forgettable bits of the urban environment — an unusual paint job, some odd object that the owners may have forgotten, a small evocative scene, and more. Here it was the juxtaposition of colors along with the long June midday shadows. (And with that, it is time to head out on today’s walk!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Roll-Up Doors

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Roll-Up Doors
A pair of roll-up doors on a San Jose industrial building.

Roll-Up Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of roll-up doors on a San Jose industrial building.

Collecting quotations about photography is an occasional hobby of mine. (Making them up is, too!) One of my favorites comes from Minor White: “One should not only photograph things for what they are but for what else they are.” (There are several slightly different versions of this remark, so I suspect it is something that he referred to a lot.) This is a powerful and loaded observation, it has quite a few implications, and it points an appropriately wagging finger at those folks who seem to think that photography is nothing more than a way to “capture” things in some form imagined to be “objective.”

This is, perhaps obviously, one of those photographs of “what it is” and “what else it is.” The objective reality of this subject is pretty mundane — a pair of metal roll-up doors on a light-industrial building. I photographed it in bright, harsh sunlight, and the original includes colors not present in the monochromatic presentation I chose here. So, a couple fo doors, a bit of wall, and some dark concrete. Yet, that’s not what I really “see” when I look at this photograph — for me that “what else it is” is the main focus, to the point that I have to almost remind myself of the original subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Structures and Objects, Photographs: Urban/Street

696

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696
Rollup doors on building 696, San Jose.

696. © Copyright 2020 G Dan Mitchell – all rights reserved.

Rollup doors on building 696, San Jose.

This photograph is a bit of a study in “accidental geometry” that I encountered while on a walk earlier this fall. The two roll-up doors are almost but not quite perfect mirror images, but the surrounding walls are almost opposites, light and dark, and the whole thing is set off by horizontal areas at the top and bottom. There is one little asymmetrical element in the numbers next to the right door — but even there you can find a certain interesting formal pattern if you look for it.

This probably doesn’t seem like my usual subject, but I can assure you it is the sort of thing I see quite often — more often, in fact, than autumn aspens, rugged seashores, deserts, and alpine mountains. It is the terrain of my regular pandemic walks in a circle that extends across a several mile radius from our home. In one direction I often end up passing through light industrial areas, including some that might seem just a bit sketchy. In fact, as I made this photograph I was standing within feet of the temporary pandemic homes of trailer-dwellers parked on the street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

One Green Leaf

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One Green Leaf - One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park
One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

One Green Leaf. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations (but not the only one!) about which I had and still have the most to learn is Capitol Reef National Park. When I first was there in April of 2012, my encounter with this park was perhaps shamefully superficial, though my excuse is that we were only passing through on our way to another place. All I saw of the park was the short highway drive that passed by the Fruita District as it passes through the park – the rest of the park beyond this small bit remained a complete mystery to me. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to the most popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that it is a place I want to return to.

Although there is no evidence of this in the photograph, this shot was made in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and heading into the canyon while the temperature still hovered around freezing. There was no one else there at all, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed was in places carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.