Tag Archives: texture

Consonance and Dissonance

Consonance and Dissonance
Structural elements at the High Line Park, Manhattan

Consonance and Dissonance. © Copyright 2023 G Dan Mitchell.

Structural elements at the High Line Park, Manhattan

Taking a cue from the music-related title of this photograph, I suspect you may have noticed that my photographs cover a wide range of subjects. When people ask me “what I photograph,” probably expecting a short answer like “landscapes” or “portraits” or “street,” there can be an awkward moment while I consider how to answer. I don’t photograph just one thing… any more than a composer would choose to write only, say, minuets. There is more than one thing to express, so more than one approach is necessary. If anything, my photographs are about… how I see the world photographically.

I won’t try to explain the entire “consonance and dissonance” connection here, except to point out that these terms have multiple meanings. One basic idea is that something is consonant in music if it “sounds nice” and “dissonant” if it doesn’t. But a more interesting idea relates to something that seems static and “settled” (consonance) versus something that seems restless and striving (dissonance). Taken one step further, the tension created by dissonance often propels us toward consonance… and consonance can resolve that tension.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tree and Wall

Tree and Wall
A tree grows against a textured and weathered wall in Orvieto, Italy.

Tree and Wall. © Copyright 2023 G Dan Mitchell.

A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Horse Stencil, Walls

Horse Stencil, Walls
A stencil of a horse at a place where two walls meet in Siena, Italy.

Horse Stencil, Walls. © Copyright 2023 G Dan Mitchell.

A stencil of a horse at a place where two walls meet in Siena, Italy.

Some years back, in the pre-pandemic era, we spent a bit more than a week in Tuscany. It was quite a trip — we mostly stayed with and traveled with family. We spent a week in the Chianti hills at a villa where our oldest son and our daughter-in-law exchanged wedding vows. We also managed to very briefly visit Florence (barely more than one day) and Siena (literally a few hours). Needless to say, that was only enough to make us want to return for longer visits — which we did this summer.

This time we had three nights in Siena, where we stayed in a little place just minutes from the Piazza del Campo, the famous central plaza. If you have been following along, by now you know that our mode of travel is a bit different. We do see some of the Big Sights (and Sites), but we also spend a lot of time just walking and wandering and getting the feel for the place. As a result, we sometimes end up with photographs of small things that you might miss on a more hurried visit — like this little stencil of a horse near the meeting of two walls along a Siena walkway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Conifer Bark and Moss

Conifer Bark and Moss
Most grows on the thick bark of a Yosemite Valley conifer.

Conifer Bark and Moss. © Copyright 2023 G Dan Mitchell.

Most grows on the thick bark of a Yosemite Valley conifer.

Sometimes the texture of tree back can almost take on the appearance of a landscape, especially when it is the thick and textured bark on large, old trees. This example, from alongside a trail in Yosemite Valley, almost looks to me like a set of parallel valleys, with forest or meadows represented by the green most growing in the darker cracks. I’m also fascinated by the texture of the lighter sections, which seem to be build up in layers.

I suppose, to some extent, that this photograph may be yet another in the “record shot” category, at least if you don’t find the textures and shapes of the bark fascinating.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.