Tag Archives: view

Death Valley and Black Mountains, Evening

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountain Ridges

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Dawn Fog

Have I mentioned how much I like photographing fog? Why, yes, I have! Fog can make almost any subject mysterious and moody. Even a banal urban or natural scene can become magical under its influence. This is especially true in places like this, an agricultural landscape that otherwise includes utilitarian elements — cattle barns, power lines, buildings with lights, roads. But fog mutes those distractions and leaves us with just atmosphere, light, color, and bits of solid reality. The landscape becomes less literal, and we fill in our own stories.

It was initially too foggy (and too dark!) to photograph here, so I just headed out to potential locations and watched to see what would happen. Tule fog is often shallow, and I could see high clouds as the sunrise colors suffused the fog as it began to thin. The density of fog adds up across distance, and here makes it impossible to tell where the land and water end and the sky begins.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Morning View of the Sierra Crest

Morning View of the Sierra Crest
Autumn view of Sierra Nevada crest peaks in the Yosemite region.

Morning View of the Sierra Crest. © Copyright 2023 G Dan Mitchell.

Autumn view of Sierra Nevada crest peaks in the Yosemite region.

For several years I have been exploring areas east of the Sierra Nevada, partly because they are interesting (and often surprising) in their own right, but also because they sometimes afford interesting views of the Sierra crest and eastern escarpment. I often end up out here during my autumn explorations, perhaps because they are more likely to put me in a vehicle than on foot — but also because there are surprisingly impressive examples of autumn color out here.

I have spent more than a few very cold mornings in this area, waiting in the predawn dark for the first light to strike the distant peaks. Here it comes from behind me, over my left shoulder. It takes a while for the sun to clear the ridges behind me and illuminate the valleys and ridges between here and the Sierra. The peaks in this photograph stretch from the Ritter-Banner summits to some of the highest backcountry peaks in Yosemite National Park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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