Tag Archives: vining

Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze
Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze. Eastern Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening haze settles on the Sierra Nevada above forest and meadow near Lee Vining Creek.

Atmospheric haze and I have a special relationship. ;-) While I love crystal clear alpine air, I’m far more fond of “interesting” atmospheric conditions that involve haze that may partially obscure certain details, accentuate distance contrasts between close and far objects, take on interesting colorations, and even glow when lit from behind. During this early August visit to the Sierra on both sides of Tioga Pass, I encountered some significant haze from a serious wildfire in the Mammoth Lakes area. One one hand, this complicated (or rendered nearly impossible!) certain types of “grand landscape” photographs since the constant brown, smoggy haze isn’t quite what we typically are looking for. However, to me this most certainly does not mean that photography and even landscape photography cannot be done. Not only can it be done, but these conditions can create possibilities that are difficult or impossible to find in more typical conditions. (However, in reality, wildfire smoke is “typical” in the Sierra and many other places during certain times of the year.)

There are a number of ways to use smoke and haze in photographs. In this case I found primary foreground subjects that were close enough that they were not obscured. The haze, however, quickly muted the contrast and color of parts of the scene that were even a short distance away on the other side of the valley. The dark, backlit forms of the near trees stand out against this muted background rather than disappearing into the complex patterns and textures of the more distant forest. The backlight had a few other beneficial effects. It intensifies the colors of the low plants growing beneath and between the trees. It creates a sort of highlighting effect on near and far trees, giving a bit more relief to their textures. And it adds a bit of a glow to that smoke and haze, to the point the further alpine slopes in the upper left show only the barest details.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lee Vining Canyon and Mono Craters, Morning

Lee Vining Canyon and Mono Craters, Morning - Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.
Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

Lee Vining Canyon and Mono Craters, Morning. Eastern Sierra Nevada, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

East of Tioga Pass, highway 120 (a.k.a. “Tioga Pass Road”) descends relatively gently past Tioga Lake and then Ellery Lake before it drop precipitously down the eastern escarpment of the Sierra Nevada through Lee Vining Canyon on its way to the junction with highway 395 just south of the town of Lee Vining. I’ve driven over it for years, going back and forth between my home in the San Francisco Bay Area and the east side of the Sierra, so I should be fairly nonchalant about it by now – but every so often as I pass over the route (most often looking down into the canyon from above) I wonder whatever possessed people to think that it would be a good idea to route a road across the talus fields and across the steep headway of this canyon.

During last week’s photographic trip to the Tuolumne Meadows area of Yosemite National Park I went over the pass twice. The first time was to scout out some possible shooting locations around Mono Lake – OK, and to get an espresso at Latte Da in Lee Vining – and the second was the following morning when I returned to shoot one of these locations. The night before I had moved my camp to Ellery Lake (it is a long story), which put me a bit closer to Mono Lake, so I was up well before dawn and at the lake before sunrise. After photographing my primary subject there right at dawn, I stuck around long enough to photograph the early morning light and haze above the lake, then headed back to break up my camp before heading home. As I crossed that headwall high up above Lee Vining Canyon, I looked east toward the Mono Craters. Looking that way is pretty much a habit, but I rarely find it to present anything that I want to photograph. This morning was different. I quickly found a turn-out and drove back to this spot. A nice haze filled the air (I like atmospheric haze for photography!), a few clouds clustered around ridges just beyond the volcanic Mono Craters, and a high line of clouds from monsoonal flow were in the far distance, with the steep walls of Lee Vining Canyon backlit and almost seen entirely in silhouette.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Spring

Aspen Grove, Spring - Morning light filters through an eastern Sierra aspen grove on a spring morning.
Morning light filters through an eastern Sierra aspen grove on a spring morning.

Aspen Grove, Spring. Eastern Sierra Nevada, California. June 7, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Morning light filters through an eastern Sierra aspen grove on a spring morning.

I often photograph the eastern Sierra aspens when they change colors in the fall, but these groves are appealing in every season – whether bare branches in snow, with green leaves quaking in the summer breezes, turning gold in fall, or with new leaves emerging in late spring.

I photographed these on one of those late-spring days. I had been up much earlier to photograph another subject elsewhere, and then returned to my camp site a bit later in the morning. This is a camp that I often use when photographing in the area east of Yosemite, so I know its surroundings quite well. The area is full of aspen trees, an there are a few small groves along a nearby section of the road that I often walk to. On this morning I stopped on my way back from that other place, just pulling over to the side of the road to shoot as the morning sun light was just arriving at this grove as the sun rose above the surrounding peaks.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline
Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline. Mono Lake, California. October 10, 20120. © Copyright G Dan Mitchell – all rights reserved.

The north shoreline of Mono Lake leads from foreground offshore tufa past the base of Black Point to Negit Island and beyond.

You would never know it from this black and white photograph of the austere desert landscape around Mono Lake, but I was there to photograph… fall aspen color! Earlier in the day I had photographed further south along the eastern slopes of the Sierra, gradually working my way north with a plan of heading back to the “west side” over Tioga Pass at the end of the day after doing a last bit of  fall color photography near Conway Summit and Dunderberg Road in late-afternoon light. By mid-afternoon I had made it to Lee Vining for an espresso stop at Latte Da and a break to check some email and so forth. Soon it was time to get into position for the low angle sun that would light the aspens a bit later, so I headed north out of town.

The road north from Lee Vining skirts the west shore of Mono Lake. Before leaving the lake there is a turn-off to another road that passes along the north shore of Mono Lake and can take you to places such as Black Point. I often stop at this turn-off since it provides a slightly elevated view of the larger terrain around the lake including the low hills to the east and Mono Craters and higher mountains to the south. On a typical blue sky mid-afternoon I might not make any photographs, but something about the light and the forms of the shoreline, Black Point, and Negit Island leading into the distance convinced me to make a few exposures, using a long lens to compress the distance.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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