Tag Archives: vision

Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Website and Affiliate News

Every so often it seems like time to do a bit of updating around the blog, and I’m embarking on a bit of that work here at the end of the summer season. Some of the changes are minor or even invisible, but you may notice others as you look around the blog – now and during upcoming weeks. One change has been to move some affiliate links to where you can find them a bit more easily in the right sidebar of the blog.

B&H Photo is the well known vendor of photography, video, audio, and many other products – with an impressive storefront in New York City and a great online store that carries just about anything photographic that you might need or want.

Craft And Vision eBooks

Craft & Vision has pioneered the creation and sales of excellent and inexpensive eBooks on a wide range of photographic topics, and written by a group of experienced photographers.

ThinkTank Photo

ThinkTank Photo produces and sells a range of very high quality and innovative photographic bags and related gear. My primary gear bag is their Airport Acceleration bag.

I personally purchase and use products from each of these vendors. I’m grateful when you make purchases through these links since they help support the blog and you get the same prices on great gear. If you find the information at this blog useful, consider making your purchases through these links. Thanks!

© Copyright 2012 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Exposure for Outdoor Photography, by Michael Frye

Exposure for Outdoor Photography by Michael Frye

Craft and Vision has just released Michael Frye’s new ebook, Exposure for Outdoor Photography. The book seems to be directed at the many folks who own DSLRs or non-DSLR cameras and are striving to advance beyond the point and shoot approach to their photography. The book takes a straightforward approach to some of the most important topics related to exposure. It begins with a basic description of, well, the basics of exposure – shutter speed, aperture, and ISO and some of the important terminology and concepts related to these factors. Michael keeps the level of detail to a minimum, but the basics are all there, including an explanation of the how and why of using the histogram display – which is probably just about exactly the right approach for his intended audience.

After getting the basics out of the way, the book moves to a series of ten “cases studies,” each of which uses one of his photographs to explore a particular aspect of exposure. The subjects of the case studies include using the histogram, dealing with both large and small depth of field, freezing motion or controlling motion blur, the tradeoffs of moving to higher ISO, recovering highlights in bright scenes, how to handle extremely bright highlights such as direct sun, and a nod to the zone system (in very simplified form) and HDR and exposure blending concepts. Rather than presenting the concepts in theoretical form, he uses his one photographs to provide practical examples for the case studies.

There are a number of things I appreciate about the book, and I think many readers may also agree:

  1. Rather than presenting rules that you must follow, Michael presents the concepts and explains/demonstrates the effects of some of the choice under discussion. He is careful to point out that there usually is no “perfect” exposure, and that there are different ways to get the result you have in mind. (Near the end of the book he even provides some examples of photographs that intentionally “violate” the exposure rules.)
  2. He strikes a good balance between too little and too much detail. He avoids the pitfalls of trying to make things so simple that they end up being simple-minded and of trying to cover all possibilities to the extent that many readers simply end up confused. This is probably an ideal balance for photographers who are taking first steps towards fuller understanding and control of exposure in their photographs.
  3. The case study photographs effectively illustrate the concepts that he covers. In addition, many of them are just plain fine photographs. (Two of my favorites are the Tuolumne Meadows photograph and one of geese in beautiful morning light.)

The ebook concept seems to be catching on quickly and there are plenty of good reasons for this. The visual quality of the text and illustrations is excellent. The books can be read on a laptop or a tablet. They are easy to purchase, and the cost is very low.

The book is now available from site affiliate Craft And Vision, and I understand that there may be a discount price during the first few days of availability.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

High Line Park and IAC Building

High Line Park and IAC Building
High Line Park and IAC Building

High Line Park and IAC Building. New York, New York. August 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

People taking a summer evening walk along the High Line Elevated Park in Chelsea with the IAC Building and the 100 11th Building in the background, New York City.

I only spent a short time on one evening walking along the High Line Park, but I certainly found it to be an intriguing place, and one that I intend to visit again. I first stopped to photograph this spot when I saw a couple of musicians performing on the bench just beyond the people walking and standing in the foreground. But the “urban landscape” of buildings beyond is obviously very striking, especially in the evening light. I cannot identify all of the buildings in the photograph – my first attempts to find them via Google maps failed because the buildings are so new that you only see empty space and construction sites there. I finally determined that the building on the left with the “swooping” lines is the IAC Building, designed by Frank Gehry – which is obvious in retrospect. The taller building in the background (which I had taken to calling the “Mondrian building”) is the “100 11th” building, designed by a French architect named Nouvel.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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