Near the end of October last year, while returning from a fall color visit to the Western Sierra Nevada, I decided to make a stop at a Central Valley location where I have photographed migratory birds in the past. I wasn’t expecting to find the winter birds that I usually see there, but I was surprised to find large numbers of other birds that usually diminish at this spot later in the season. Among them were large groups of great egrets.
Continue reading Egret and Chick, Evening
This is a place I visit frequently, to the point that some individual trees start to feel like old friends. Among these trees there is a small observation platform, placed there for people who wish to view birds in the nearby ponds. I have stood on the platform many times!
I would not usually photograph this scene — though I have done so in thick fog on a few occasions. But on this evening the scene was a bit special. The warm late-day light was part of it, and the reflection was clear in the unusually still water.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This may (or may not!) be my final post of a summer 2025 photograph from the Yosemite high country. (As long time readers know, sometimes I do dig back into the archives and work up “left behind” photographs.) It is a modest little photograph, but it seems appropriate to conclude the coverage of the high country year with sunset light on forest and granite.
I made the photograph on an early July walk through parts of Tuolumne Meadows. I was up there, in part, to adapt to the elevation before an upcoming pack trip — but also, obviously and predictably — to do some photography. I was out wandering the meadows as the day came to an end, and I made the photograph as the last direct sunlight, soft and warm, illuminated the forest at the east end of the meadow and the line between light and shadow began to ascend the dome.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Dubrovnik is a remarkable city — very old, very beautiful, and today a sophisticated center of tourism. The age of the place becomes more obvious the further you get away from the central tourist areas. Out around the furthest fringes, on very narrow walkways, you can find places that seem almost… unspoiled.
The old city is almost completely ringed by an ancient wall — the only gap is near the small harbor. On this evening I set out to walk the perimeter of the town along the wall. I made the photograph early on my walk as the light was just beginning to take on the colors of early evening as I looked across a sea of red rooftops.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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