Near the end of October last year, while returning from a fall color visit to the Western Sierra Nevada, I decided to make a stop at a Central Valley location where I have photographed migratory birds in the past. I wasn’t expecting to find the winter birds that I usually see there, but I was surprised to find large numbers of other birds that usually diminish at this spot later in the season. Among them were large groups of great egrets.
Continue reading Egret and Chick, Evening
I recall the first time that I became truly aware of the variety of patterns and texture found in the Sandstone faces of The Southwest. I was photographing deep in a canyon in the Grand Staircase-Escalante National Monument with friends when I got the idea to keep my eyes open for petroglyphs, something I had not previously thought much about. Before long, I started imagining petroglyphs everywhere. Eventually, realizing that was impossible, I figured out that the rocks and erosion processes themselves produce remarkable patterns.
Continue reading Stained Sandstone, Lichen
I have been meaning to share this critter’s head shot for a while. It is a great egret, a bird whose presence in nature is announced by its large size, its long neck, and its striking white plumage. Quite a few of them were around when I visited one of my bird photography haunts in California’s Central Valley.
This one was less bothered by my presence than some. I wasn’t as close as it may appear — I was using a long telephoto lens. But still, egrets have boundaries, and if you cross them they will quickly fly away. But this one stuck around, and even paused in the soft, cloudy light.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
On our return trip from Death Valley in late February we took a short detour in California’s Central Valley to look for migratory geese. Their winter visit to the state is soon coming to an end, so I wanted to see them again this season. It was a quick stop, but we found our geese, and I made this photograph of a small flock of Ross’s geese descending toward a wetland pond.
when I first started photographing birds a couple of decades ago I had little idea what I was doing, but I did know that I wanted to photograph “snow geese.” (Ross’s geese aren’t snow geese, but they are very similar.) The photograph illustrates how much pictures of flocks of birds rely on luck. Note the two geese at lower right, positioned so that one does not obscure the view of the other’s head. Look at the positions of the two more distant geese behind the bird at lower left. And then note the the other four birds are also all positioned so that their heads are visible. You would almost think that they posed for me…
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.