Tag Archives: white-fronted

White-Fronted Geese

White-fronted geese, it sometimes seems, are among the “forgotten geese.” In a winter world featuring sometimes-huge flocks of white geese (snow, Ross’s) these darker colored birds can be visually underwhelming. But a closer look shows them to be quite interesting, from their white faces (which give them their name) to the fascinating patterns on their chests.

I have mentioned that my original interest in the California Central Valley migratory birds was almost exclusively about geese. It was through them that I began to discover other interesting birds — and there are lots of them! Back in those days I photographed geese in flight like a madman. But now I’m a bit more selective, looking for good light and birds in interesting and photogenic juxtapositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Birds in Motion

Birds in Motion
Long-exposure motion blur photograph of geese in flight over winter fields.

Birds in Motion. © Copyright 2023 G Dan Mitchell.

Long-exposure motion blur photograph of geese in flight over winter fields.

This is another long-exposure, late-day bird photograph, in which I lower the ISO and use longer exposures in order to allow motion blur. A flock of (mostly) snow geese was turning into a strong crosswind and the brighter western sky — so the light was interesting and the birds were moving a bit slower that usual. The latter is a distinct advantage when trying to track the birds during longer exposures.

This way of shooting is fun and challenging. The idea is to end up with an image that has some kind of compositional integrity and which suggests the wild motion of the flock. A shutter speed up to about a second can work, and this variable will, of course, control how much blur there is. One challenge is that I can only estimate what the composition will look like since I’m shooting handheld and tracking the birds. Including a bit of the landscape in this photograph helps “ground” the blur of the flock.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Landscape, Geese and Cranes

Winter Landscape, Geese and Cranes
Flocks of sandhill cranes and various geese in the winter landscape of California’s Central Valley.

Winter Landscape, Geese and Cranes. © Copyright 2023 G Dan Mitchell.

Flocks of sandhill cranes and various geese in the winter landscape of California’s Central Valley.

While I anticipate eagerly the start of the migratory bird “season” in California every fall, the most exciting time to see and photograph the spectacle is in weeks before the geese depart. By this point, it seems the birds are well fed and — from my subjective perspective — getting restless about their imminent departure. During the day I often find huge mixed flocks collected together and very active.

The primary activity seems to be feeding — which makes sense, given the monumental migration they will soon undertake. But they also seem to have a hair-trigger response to anything that concerns them — a raptor flying nearby, a coyote on the prowl, an airplane passing overhead. And when this happens they take off in huge groups, spiral around for a few minutes, land, and regroup. In this photograph a flock of geese is beginning one of these brief aerial forays.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Geese in Motion

Geese in Motion
Long exposure photograph of an airborne flock of migratory geese.

Geese in Motion. © Copyright 2023 G Dan Mitchell.

Long exposure photograph of an airborne flock of migratory geese.

A day of my wildlife photography typically begins and ends in darkness — I arrive and set up before sunrise and “don’t pack until it’s black.” During the earliest and latest times there’s often barely enough to light to make photographs, especially with the long lenses that I favor for this subject. In the early morning I often just crank up the ISO and do the best I can. But in the evening I frequently go the opposite direction in my final shots of the day — lowering the ISO and intentionally working with rather long exposures that allow the birds’ motion to blur.

Given the popularity of sharp pictures of birds — something that I often aspire to, as well — this might seem counterintuitive. But it occurred to me some years ago that the mass of blurred motion actually better evokes the wild seeming-chaos of these mass flights. They are not so much about any particular bird as they are about the half-seen motion of the group.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.