I have long been a sucker for backlight. I’m attracted to the glow of light coming straight at me, and I’m intrigued by the dark shadowed sides of objects and by the beams of light that lead toward the camera. Put a forest full of trees in front of me in that light and I cannot resist.
Continue reading Evening Forest and Hill
During spring the woodlands and fields and pastures of the Cotswolds are very bright and green… if it isn’t raining. Of course, it is the rain produces all of that green. We had our share of sunny days, but we also experienced the rain — generally light and transitory, but a bit more substantial on the final day of our weeklong walk. This scene was midway through the walk, where the path crossed green hill, the trees opened up a bit, and the sun shone in.
Continue reading Cotswolds Forest Clearing
This spot and this view have long intrigued me. The lines and curves lead from the shoreline forest at left, past that talus-covered slope on the right, across the water to another peninsula, and finally to the massive face rising beyond. The personality of this view can change remarkably — I’ve photographed during storms, under the full moon, in direct sunlight.
Continue reading Soft Light, Ellery Lake
For some reason I can’t quite define, doors seem to be a popular photographic subject. Perhaps it is curiosity about what lies behind them — both the prospect of something being hidden and the notion of leaving one space and entering another. I often photograph them without quite knowing why, only intuiting that they appeal to me. Here I liked the contrast between the cold and angular nature of the stone structure and the the organic forms painted on the doorway.
Continue reading A Doorway