On this late-August evening I headed to a spot along the Tuolumne River that I had scouted earlier that afternoon. I’ve previously photographed from this location at sunset, so I had a general idea of what I would be working with. The photograph I had in mind was not this one — it fact, the planned photograph had me pointing the camera in exactly the opposite direction, toward the Sierra Nevada crest.
Continue reading Tuolumne Sunset
There’s a lot to see and do in Dublin, Ireland. Some cities seem rather sedate, but at least in the central area of Dublin where we spent time this past May, the streets and sidewalks were full of people — the place felt very alive. While a few day’s visit does not make me an expert — far from it — this city felt like it had a bit of an “edge,” which I think of as a good thing. All of this made it a fine place to do some photography in the streets.
Continue reading Man on Steps, Dublin
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
Continue reading Tufa, Dawn
You might never guess by looking at this photograph, but I made this on a beautiful day with blue sky and dramatic clouds, in an area along a trail in the Cotswolds that was very green. I was surrounded by gentle hills, green wheat fields, and many spring-green trees. But there was this one dead snag, devoid of leaves, standing starkly against that sky.
Continue reading Snag and Sky