Three Trees And A Valley

Three Trees And A Valley
“Three Trees And A Valley” — Three autumn trees and Yosemite Valley cliffs.

This photograph has been in the queue for months as I worked on other subjects, and before that it languished in my raw file archive for a couple of years. I rediscovered it during a review of past season’s fall color photographs last year. There is a bit of fall color in the leaves of these trees, but it may be subtle.

After photographing in Yosemite Valley for decades, I am less inclined to re-photograph the big icons. I’ll do so in exceptional conditions, but I’m more interested in poking around odd corners of the valley and looking for new perspectives. This location is a bit tricky — several years ago it was identified as being an area prone to rockfall — but I’m attracted to several features of this view. The foreground trees don’t quite block the view, and beyond them a large meadow allows plentiful light. Across the valley are steep cliffs, in including some with cascades and small waterfalls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wildflowers, South Death Valley

Wildflowers, South Death Valley
“Wildflowers, South Death Valley” — A flower-covered landscape with a hill and the lower panamint Range.

Is this a so-called “super bloom” year in Death Valley? The term seems subjective, and there does not seem to be a clear demarcation between a really great bloom (which this season is certainly providing) and a super bloom. From what we saw in late February, I think there’s a case for calling 2026 one of the exceptional super bloom years.

There were lots of wildflowers where I photographed this scene at the southern end of the valley. Extensive fields of desert gold stretched across gravel fans and up hillsides. Pinkish sand verbena covered lower, sandy areas. (It is subtle, but if you look closely you can see the pink-purple color between the foreground yellow flowers and the shadowed hill.) Colorful clumps of purple phacelia were everywhere.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Hour Sky, Lake Manly

Blue Hour Sky, Lake Manly
“Blue Hour Sky, Lake Manly” — A cloud-filled blue hour morning sky above Lake Manly.

When I go out to photograph I often have ideas about what my subject will be and even how it may look. On this morning I was thinking of colorful dawn light, perhaps illuminating some early morning clouds, and the first direct light striking the peaks of the distant Panamint Range mountains. Instead, the cloud deck was thicker than expected, and instead of sunrise colors I had something more like morning blue hour light.

When photographing landscape, there is a lot that is out of our control — the light, the clouds, and more. We have to be ready to work with the conditions that we are given. So on this morning I decided to “go with the blue” rather than hoping for warm colors that were not going to appear.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees On Sandstone Cliff

Trees on Sandstone Cliff
”Trees on Sandstone Cliff ” — Two small trees grow from cracks in a sandstone cliff, Zion National Park.

Today I am sharing yet another “lost and found” photograph, again from a decade-ago visit to Utah and, in this case, Zion National Park. (“Lost and found” photographs disappeared into my raw file archives, only to be rediscovered years later.) This one features a bit of vegetation, including some with developing fall color, growing in the cracks of a sandstone cliff.

I am impressed by how little some trees need to make a success of it. In the Sierra Nevada I have seen beautiful little trees growing on little more than a shallow bowl in the granite holding a few hands full of soil. Here the trees are growing in cracks in the solid sandstone, and must have little or no actual soil to nourish them.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.