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Online Gallery Update

My web presence has long included this blog and a separate online gallery housing a large archive of photographs — perhaps about 3000 of them at last count. Earlier this week the gallery had a technical issue that snowballed and eventually took that gallery completely offline.

During the past few days I have spent way to many hours trying to get the gallery working again, and I have (mostly) succeeded at this point. A new version of the gallery now holds essentially all of the photographs that were at the old gallery. The format is a bit different, though the underlying organization of the images is similar. At this point, the titles of photographs do not display correctly, and you’ll see file names where there used to be titles. This is fixable, but not right away.

If you tried to find the old gallery and couldn’t, thanks for your patience. If you haven’t seen the gallery, feel free to wander over there and take look!


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Musings: Secret Lives of Landscape Photographers (9/12/14)

Secret (Banjo) Lives of Landscape Photographers
Landscape photographers relaxing with a little banjo music. (L-R: Scot Miller, Charles Cramer, Annette Bottaro-Walklet, Mike Osborne, Karl Kroeber, G Dan Mitchell)

Secret (Banjo) Lives of Landscape Photographers. Sierra Nevada, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Landscape photographers relaxing with a little midday banjo music. (L-R: Scot Miller, Charles Cramer, Annette Bottaro-Walklet, Mike Osborne, Karl Kroeber, G Dan Mitchell)

I know the romantic notions about the daily lives of landscape photographers: days full of stunning golden hour light, incalculable beauties everywhere at every moment, the sublime life, rainbows, unicorns, etc. But the truth is more complex. Up before dawn and out into the cold without breakfast, shooting for hours until the light turns “blah,” then a long, boring midday period before the beautiful light returns hours later, then photographing into the frigid darkness.

It is often a struggle to find something useful to do in the backcountry during those midday hours. There are meals to eat, tents to tidy, and naps to take, but the hours are still long. We think we’ve found a solution. There’s nothing like a few hours of backcountry banjo ensemble music to make the time pass more quickly. Here the group nears the conclusion of the Adagietto movement of Mahler’s Symphony #5.

So, the next time you are in the Sierra Nevada backcountry and you pass a group of heavily laden photographers with tripods, folding chairs, and banjo cases on their backs, stop and say “hi.” ;-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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2013 Favorite Photographs

“With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.” – Ansel Adams

I have compiled annual “favorites” collections for almost ten years. Each year I think this will just be an exercise in selecting photographs, and each year I rediscover that it is more than that – an opportunity to reflect on growth and new ways of looking at the world, a chance to think forward about what is yet to come, a time to recall a year of places and experiences and friendships.

It is a hard to distill a year’s work down to a few photographs, and I’m afraid that I can’t reduce the number to the extent that some can. This year I have – painfully! – gotten it down to 18 images, which is perhaps still too many. But it is 25% fewer than the 24 I shared last year! (Adams also said, “Twelve significant photographs in any one year is a good crop.” So feel free to regard up to a half dozen of these as being insignificant! ;-)

Many things affected my final selection. High on the list is how others – including many of you – responded to my photographs. I often say that the photographer is the person least able to objectively view and understand his/her own work, and I value the feedback and response that you share with me. On the other hand, I like to include some photographs that get less attention because I believe in them. I also include examples from my diverse range of subjects – people, wildlife, landscape, cityscape and street, night photography.

Speaking of a range of subjects, this was a year of interesting and diverse photographic adventures. Some were familiar – visits to Death Valley, the nearby Pacific Coast, the streets of San Francisco, familiar Sierra locations, and more. Others reflect more recent interests, such the migratory birds of California’s Great Central Valley. I spent more than a week camped in a remote Sierra Nevada location with photographer friends, becoming deeply familiar with the details of that particular landscape. I traveled to urban destinations: New York City, London, Germany, Austria. I continued work on my long-term project to photograph classical musicians.

But, enough introduction. In no particular order, though grouped according to subject, here are some of my favorite photographs of 2013. For those who want to know more, I have included links to the original posts of the images, where you may read more background – click the images themselves or the “original post” links.

(I am on social media: My blog | Facebook | Google Plus | Flickr | Twitter | Pinterest | LinkedIn. And, yes, prints are available – see the Sales link for more information or send me an email.)

Coastal California

I am very fortunate to live relatively close to a huge range of photographic subjects. One of the closest and most impressive is the Pacific Ocean coastline of California, and it is near enough that I can head over there for a morning or an evening when the conditions seem promising.

Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013.

Evening light and fog along the Pacific coast north of Santa Cruz, California. (Original post)

Living less than an hour from the Pacific coastline south of San Francisco, I have the good fortune of being able to shoot there often, and I have come to know some sections of this coastline very well. On this summer evening I was cruising up the coast looking for subjects when I passed this familiar location, one that I had passed many times without stopping due to the scarcity of places to pull over on this narrow highway. The hazy fog, the warm evening light, and the curving surf line got my attention and this time I stopped, put a long lens on the camera, and made this exposure while standing far too close to the passing traffic.

Continue reading 2013 Favorite Photographs

2012 Favorites

This was a great year for me as a photographer. I photographed subjects that have long been favorites, including the California coast, the Sierra Nevada, and some urban subjects. This was also the year that I discovered (believe it or not, for the first time) the American Southwest, where I spent a total of about a month photographing Utah. I also continued and extended my newfound interest in photographing migratory birds and the landscape of California’s Central Valley.

In what has now become a firmly entrenched annual tradition, here is my set of “2012 Favorites.” This set and my criteria for assembling it require some explanation! I call them “favorites” rather than “best” since it is darn near impossible to make any sort of objective selection of best work – but I can be somewhat definitive about favorites… at least as of today. Selecting favorites from among my photographs is a very difficult task for me, especially when it comes down to selecting the final set. A part of me thinks that additional editing could be done, but another part of me says, “Enough is enough!”

This set includes 24 photographs that I made during this past year. There are varied reasons for their inclusion, and for the exclusion of some other photographs that I and some of you like a great deal. I have included some based on what others tell me they like, so there are a few that have provoked a strong response from viewers, sometimes a bit to my surprise! I have also tried to cover a somewhat diverse range of photographs – some wildlife, a couple of shots of the urban world, some black and white work, some realistic and some relatively abstract images, some complex images and some very simple ones. In a few cases I have included photographs that are favorites of mine that do not seem to (yet?) evoke a strong response from viewers – since I believe in the photographs.

I have added a bit of brief commentary to each photograph, and you may click their titles to see the original posts on the blog, where I usually share additional information and background.

Since I’ve already over-thought this more than enough, on to the photographs! Thanks for looking, and I hope you enjoy them!

“Two Owls, Trees and Ponds, Dusk”

Two Owls, Trees and Ponds, Dusk
Two Owls, Trees and Ponds, Dusk

I made this photograph at a California Central Valley wildlife refuge, at the end of an evening of photographing Ross’s geese and sandhill cranes with some good friends, as the last light began to fade from the sky above the Coast Range.

“Ross’s Geese, Sunset, Central Valley”

Ross's Geese, Sunset, Central Valley
Ross’s Geese, Sunset, Central Valley

I made this photograph in the same circumstances as the previous one, though a bit earlier in the evening as the sun was dropping to the horizon and glowing brilliant red in the Central Valley winter haze. Almost all of the Ross’s geese that had earlier filled this pond had now left, save for a few stragglers who stuck around a bit longer and struck photogenic poses for me before leaving.

“Snow Goose Maelstrom”

Snow Goose Maelstrom
Snow Goose Maelstrom

I made this photograph in the Skagit Valley in the state of Washington, where I spent a day photographing birds, mostly snow geese and trumpeter swans. At one point I had pulled over to investigate a field that seemed like a good place to find geese, but had only found a few there. But very shortly I began to notice uncountable numbers of them filling the sky to the west and before long the largest group that I had ever seen had descended on the field. For this photograph I used a very long focal length but intentionally chose a shutter speed slow enough to allow motion blur when the flock suddenly lifted into the air en masse, as I knew they eventually would.

“Branch With Spring Leaves, Zion National Park”

Branch With Spring Leaves
Branch With Spring Leaves

While on a spring visit to Zion Canyon we walked up toward the Weeping Rock area, where I had hoped to photograph spring wildflowers – but we were there too early in the season. On the way back down the trail I spotted this beautifully lit branch on what I think was a maple tree and photographed the new leaves against a blurred background of cliffs and other vegetation.

“The Organ and the Tower of Babel”

The Organ and the Tower of Babel
The Organ and the Tower of Babel

Since I spent a total of perhaps a month photographing in Utah this year, there are going to be a few Utah photographs here! (If anything, narrowing the Utah shots down to a small group was the most difficult task in assembling the Favorites post.) On our spring trip we made it to Arches National Park for the first time, which gave me an opportunity to experience something that I rarely get to experience in California, having shot there so long, namely the astonishment of seeing a completely new and unexpected landscape. Having intentionally avoided any research on this park, I was completely amazed by the formations when we made our first foray during the golden hours on the day we arrived, and I came back to this spot several times to photograph it in morning light.

“Cliff, Green River Overlook”

Cliff, Green River Overlook
Cliff, Green River Overlook

Our first visit to Canyonlands National Park was at least as uninformed as the earlier Arches National Park visit. (At one point I drove past a turn-off to the iconic Mesa Arch and said, “Oh, that is where all those photographs come from!” No, I did not go there.) We spent most of the day driving around and scoping out potential locations for an evening shoot, and since I had never been there before we settled on the also-iconic Green River Overlook. While I have some photographs of that more familiar scene, including some I like a great deal, I decided to instead include one from that location that is not the usual iconic shot. This includes a bit of the vertical upper cliff face and the strongly back-lit canyon of the Green River beyond, with a couple of buttes and their shadows faintly visible in the haze.

“Sail Boat, San Francisco Bay”

Sail Boat, San Francisco Bay
Sail Boat, San Francisco Bay

There is quite a lot that I could write about this simple-looking photograph, but I’ll keep it short. I was actually wandering along the San Francisco waterfront very early one morning doing what I think of as a combination of street and “urban landscape” photography, equipped with my usual camera and a couple of prime lenses. If I recall correctly, I had been photographing a steel bridge – a distinctly urban subject – when I noticed this sailboat approaching a section of open water from the right. I was already aware of the beautiful luminous quality of the light over the San Francisco Bay that morning, and I immediately got the idea of trying to frame the boat as it passed across this small clear area of water. I quickly swapped lenses and had just time to make a couple of quick handheld exposures before the boat continued to the left and out of sight. (It turns out, though I did not realize it at the time, that this boat is part of the upcoming America’s Cup competition.)

“Embarcadero Center Tower”

Embarcadero Center Tower
Embarcadero Center Tower

This photograph is firmly part of my “urban landscape” work, in which I try to photograph the urban environment in ways that are not so different from how I might photograph the natural landscape. On the other hand, I often shoot this stuff handheld – as I did here – and using a prime or two, more or less is street photography style.

“Lee Vining Canyon and Mono Craters, Morning”

Lee Vining Canyon and Mono Craters, Morning
Lee Vining Canyon and Mono Craters, Morning

I have included this photograph because it is a personal favorite. I can’t tell you how many times I have driven over Tioga Pass and down/up this canyon, often looking into the canyon and out to the landscape to the east and thinking about how I might photograph it but never quite seeing the photograph I was looking for. On this morning I was heading up the canyon toward the pass when I happened to glance to my left and see a photograph. I quickly turned around and went back to the turn-out where I had first seen it and made a photograph of the dark canyon with Mono Craters and further mountains and clouds beyond. The black and white rendition is partly because, well, I liked it and partly an homage to the old-school monochrome work of the past that influences all of us who photograph in these mountains.

“Birds, Evening Fog, Rodeo Lagoon”

Birds, Evening Fog, Rodeo Lagoon
Birds, Evening Fog, Rodeo Lagoon

This photograph is another personal favorite. I had driven up into the Marin Headlands with no particular goal in mind earlier in the evening. Encountering very thick fog near sunset and not finding a way to photograph in it, I continued on and eventually headed down toward Rodeo Beach, stopping from time to time to listen to the quiet, broken only by the mournful sound of fog horns. By the time I got down into the valley that leads to the beach the light was fading very quickly. As I crossed a bridge across the slough I saw this group of birds in the water near the shoreline and had an idea for a photograph that included them in the foreground, a bit of nearby shoreline at the edge of the frame, and the fog-obscured far bank across the water. Working quickly and with the lens that was already on the camera, as the light was going very quickly, I made a small number of very long exposures.

“Green and Red Leaves”

Green and Red Leaves
Green and Red Leaves

While visiting Mendocino, along the northern coast of California, we were wandering around town. As we walked up to one small shop I happened to look down and see these beautifully colorful leaves in a small planter box near the door, and I made a handheld photograph of them.

Trees and Meadow, Morning”

Trees and Meadow, Morning
Trees and Meadow, Morning

On a very late-summer morning – in mid-September and after Labor Day – when the meadows were turning golden brown and the typical late-season haze was present, I stopped and made this photograph near the west end of Tuolumne Meadows, shooting past a grove of large trees, across the dry grasses of the meadow, and towards the haze-obscured forested mountains beyond.

“Aspen Trees, Shoreline of North Lake”

Aspen Trees, Shoreline of North Lake
Aspen Trees, Shoreline of North Lake

This is a non-iconic photograph made in a very iconic location! Those who photograph the autumn aspens in the eastern Sierra Nevada know this location well and would likely recognize any of two or three very common scenes from this location. I’ve been going there for enough years now that while I enjoy seeing those views quite a bit, I rarely photograph them unless something really unusual or extraordinary is happening. This photograph is looking more or less 180 degrees away from those famous views and, to be honest, back toward the gravel road that passes by the lake. But on this morning the beautifully hazy atmosphere was filled with light from the sun as it cleared the high ridge beyond and I decided to photograph this small ridge, bit of water, and slanting light across the shoreline trees.

“Utah Fall Color, Meadows”

Utah Fall Color, Meadows
Utah Fall Color, Meadows

I have long been a big fan of the autumn aspen color in the eastern Sierra Nevada. But this year I managed to shoot autumn color in Utah, and I think I know have a rather different idea of what aspen color can be! When we arrived in Utah, the color was already a bit past its prime at the highest elevations, but that meant that it was just peaking in some of the lower areas. I ended up with a  bunch of Utah fall color photographs, and with difficulty I have narrowed them down to the two that I have included in this set. We encountered this wild display of color – and, no, not all from aspens – by more or less randomly running across a side road and saying, “Hey, let’s see what is up there,” and then driving until we found this fall color display that we almost could not believe.

Aspen Grove, Old Road”

Aspen Grove, Old Road
Aspen Grove, Old Road

The inclusion of this photograph is an acknowledgement of the many people who keep telling me how much they like it! I’m not absolutely certain what it is about this photograph that resonates with so many people, but I think there is something evocative about the small road winding off into the trees towards who-knows-where and then disappearing. This photograph was made not far from the previous one near where we finally turned around on our “random ride” up this wonderful side road.

“Rain Squall, Monument Valley”

Rain Squall, Monument Valley
Rain Squall, Monument Valley

Believe it or not, this was my first visit to Arizona’s Monument Valley. (How it is that I managed to not visit and photograph such a place is a long story that I won’t share right here.) And it happened almost on a whim. We were in Moab and wanted to head over toward Zion National Park. Having done the beautiful drive along Route 12 more than once and having gone via highway 70 once, we were thinking of some variations on this drive. We also saw a weather report calling for some rough weather, including a possibility of snow, along the more northerly routes, so we decided to head south and through Monument Valley. No sooner than we started our drive did the rain begin, and it was raining as we arrived in the Monument Valley area. The famous, iconic buttes and mesas were sometimes invisible and other times partially obscured by the falling rain, and I managed to make this photograph through  a rain squall before quickly retreating back to the car.

“Clearing Storm, Morning Light”

Clearing Storm, Morning Light
Clearing Storm, Morning Light

I have long been intrigued by mist and clouds swirling around pinnacles, cliffs and aretes, and this has been a frequent subject of my photographs in other places such as Yosemite Valley. This photograph comes from Zion Canyon in Zion National Park. We had arrived in the park the previous day during the tail end of a rain storm. On the following morning we headed up into the canyon and saw that the remaining clouds that were settled in along the upper canyon walls were beginning to thin a bit as the early morning sun arrived. This photograph includes a small section of the cliff along the west side of the valley, where the sun was beginning to break through the clouds and strike the rock face.

“Cracked Sandstone”

Cracked Sandstone
Cracked Sandstone

This photograph is also from Zion, and the subject is a bit of cracked and stratified sedimentary rock of the type that is so common here. The rock, with its lightning bolt shaped crack, is along the bottom of a creek bed in a canyon in the high country of the park.

Three Bighorn Sheep”

Three Bighorn Sheep
Three Bighorn Sheep

I have had a “thing” about bighorn sheep since a chance encounter high in the mountains many years ago on my first solo backpack trip, a two-week trip that took me though some high and lonely Sierra Nevada terrain. On that trip I had wandered up a ridge one morning when I was startled by the nearby sound of clattering rocks. I looked up to see a very close group of bighorns. But the time I dropped my pack and raised my camera to make a photograph they were so far down the ridge that it wasn’t worth it. The group in this photograph presented no such challenges! They were very close to the road, and by moving slowly and quietly and keeping a respectful distance from them, I was able to wait until this group of three worked its way down the layered sandstone slope.

“Old Cottonwood Trees, Autumn”

Old Cottonwood Trees, Autumn
Old Cottonwood Trees, Autumn

In late October I spent some time photographing in the Grand Staircase-Escalante National Monument. On more than one occasion we hiked into this canyon to photograph fall color and the beautiful sandstone canyon walls. Near the entrance to the main canyon I encountered this huge old cotton wood tree, that had split into two main trunks, each of which was big enough to seem like a separate and very large tree. There is also a color version of this photograph, formatted a bit differently, but I have chosen to include the monochrome version in this set. (Note: The link to the original posting of this photograph may not be active yet.)

“Arch in Morning Light”

Arch in Morning Light
Arch in Morning Light

This immense and beautiful arch was near the end of a lengthy hike down a canyon in the Utah back-country. It was perhaps the original goal of our hike, though the rest of the canyon was so interesting that i had almost forgotten about the arch when I caught my first view of it above and ahead of me. After passing through a sort of “Half Subway” along the creek below the arch, I ascended a steep slope behind it to get to a spot where I could shoot down towards it and both eliminate sky from the photograph and align the opening in the arch with some of the sandstone formations across the canyon.

“Two Islands, Fog”

Two Islands, Fog
Two Islands, Fog

This photograph is another personal favorite of mine. Like so many of my photographs, it comes with a story. I had gone to a California Central Valley wildlife refuge for the first time this season, hoping to find and photograph migratory birds. As I dropped into the valley, I saw ahead the typical winter tule fog and as I continued to drive I was soon in the thick of it. By the time I arrived at the refuge the fog was so thick that bird photography was almost not possible. I spent a little time trying, but then decided that it might be more interesting to photograph the fog itself. I went back to where I had started and repeated my loop around the refuge, stopping here were small vegetation-covered islands faded into the distance in the fog.

“Great Blue Heron Taking Flight”

Great Blue Heron Taking Flight
Great Blue Heron Taking Flight

The great blue herons, which tend to be solitary birds, do not like to be approached. Most often, in my experience, they fly away if you get close to them at all. This specimen was a bit more obliging. It was standing in a Central Valley field on a foggy morning, initially posing quietly against the backdrop of luminous fog. I slowly drove up nearby and used my car as a blind from which to photograph. After making a number of photographs of the bird standing quietly, it suddenly spread its wings, lifted off, and flew away into the fog.

“Winter Haze and Trees, Central Valley”

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

After a morning of thick Central Valley fog, the murk gradually began to lift and eventually light shone through, though the fog never fully dissipated. Rather than becoming truly clear, what happened instead was that the fog thinned to the point that the atmosphere began to glow softly. I was there to photograph birds, but as I came around a bend in the road and saw this soft light on the autumn trees I turned my long lens in that direction and made this handheld landscape photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.