It is that time again — time to share favorite photographs from the past year. I am sharing “2023: Favorite Photos,” including a dozen representative images. I think it is a diverse set, and I hope you’ll enjoy it!
Below is a single image of the full set of twelve. Subjects include the Sierra Nevada (of course!), Death Valley (also of course!), the California coast, birds in California’s Central Valley, a macro photograph, an urban landscape from Manhattan, and several photographs from our 10-week visit to (mostly) Southern Europe.
G Dan Mitchell —Twelve Favorite 2023 Photographs
It is a group of 12 images chosen from among my 2023 favorites — not necessarily my “12 Best Photographs” of the year. (See the difference?) The process of winnowing the set down to a dozen left out other favorites. I like all of those photographs, but I chose these because they represent a variety of work and cover some of the main experiences, places, and subjects of 2023.
I’ll post each photo separately below, too, adding a bit of narration to each image. I hope you enjoy them!
The individual photographs follow, in no particular order, accompanied by brief descriptions. Click the photographs to display them larger. Click their titles to see and read the original posts, which include more descriptive text. You may leave comments and questions at the end of this article.
Our long visit (ten weeks!) to Europe last summer was wonderful, but I missed almost the whole summer in “my Sierra Nevada.” (I haven’t yet figured out how to be in two places at once.) But once we returned to the USA I turned my attention to the mountains and made my first visit of the (tail end of) summer in mid-September. I was on the East Side on this stormy evening when the sky and clouds above Mono Lake lit up, providing a dramatic and spectacular light show.
Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada
Excerpt:
“California-based G. Dan Mitchell notes that the color season can last months in California’s Eastern Sierra, given the large variations in elevation, precipitation, range of north/south latitude, and other factors. He explains, “When color is absent in one location, it may be great not far away. In the Eastern Sierra, this often means going to a higher or lower elevation. While aspens can start changing color at higher elevations in the second half of September, some trees at lower elevations may be colorful a full month later.”
(About the “color season can last months…” comment. I can often find the first hints of coming autumn color early in September, and even in late August sometimes. I can still find low elevation color in the last half of October.)
The task of selecting a small set of annual favorites is both a joy and a chore. It is a joy to traverse the year in photographs, recalling the circumstances of the creation of each photograph. This years photographic opportunities ranged across a spectrum. Photograph of the natural world included work from the Sierra, Death Valley, the Pacific Coast, and migratory bird habitats in California and Oregon. Photography of the human world included night photography done on both coast of the United States plus extensive travel in the UK, Paris, Germany, Italy, and a few other spots.
I started with nearly 40 photographs — way too many for a favorites list. With the help of social media friends who viewed photographs, rated, and commented on photographs, I cut the set to about half that number. After a final round of comment and critique, I (brutally, it feels) cut the set to only ten photographs, with half from the human world and half from the natural world.
Welcome to this collection of some of my favorite photographs from 2014. I’ll get to the photos in a moment — yes, on this page! — but first a few stories, a shout out or two to fellow photographers and friends, and more…
This year I photographed a wide range of subjects from musicians to street photography to minimalist images to landscapes. It is always a challenge to select a few images from this variety of work, and invariably some photographs I love had to be left out. The group of photographs shown here was chosen because I like them, because they have been popular with others, and because they represent the diversity this year’s work. This year I think I can truthfully say that they range from the sublime to the ridiculous. (See if you can find the ridiculous one!)
Many wonderful places, subjects, and (especially) people were part of this year’s photography. Here is a partial accounting: The year began with photography of perhaps my favorite winter subject, the migratory birds and the often foggy landscape of California’s Central Valley — as always with friends David Hoffman, Charlotte Hoffman, Michael Frye, Claudia Welsh, and, of course, my wife Patricia Emerson Mitchell. Early in the year we traveled to Yosemite for a few days of shooting in conjunction with the opening of the annual Yosemite Renaissance exhibit, which again included some of my work — and in addition to the photography, it was great to see so many photographer/artist friends in the Valley. In the very early spring we had a good visit to Death Valley, one of my favorite and most frequent subjects — where we encountered snow and, for the first time in my life, I photographed wildflowers in a snowstorm! Among the summer highlights was a train trip across the US to spend a week photographing (and eating and much more) in New York City. Near the end of the summer I joined a group of good friends (Charlie Cramer, Keith Walklet, Mike Osborne, Scot Miller, Annette Bottaro-Walklet, Karl Kroeber and a supporting cast of mules and wranglers) for an extended back-country shoot in Yosemite. Fall took me back to the Sierra for nearly a week of aspen color chasing, and then I made my way back to Utah for fall color and visits to some beautiful out of the way places and ultimately to meet up with family. (Thanks to fellow photographers on that trip: David Hoffman, Guy Tal, Colleen Miniuk-Sperry, Michael Gordon, Charlie Cramer, Bruce Hucko — and to my cousin Barbara and her husband Russ and a few in-laws I met up with near the end of the trip in Zion.) My biggest photographic focus during the fall was the completion of my three-year project to photograph professional classical musicians — and I’m very grateful to the musicians, conductors, management, and staff of the San Jose Chamber Orchestra and Symphony Silicon Valley for their incredible cooperation.
A big “thank you!” to all of you who have followed my photographs here and on social media during the past year, and especially to fellow photographers (a few of whom appear in one of the photos!) that I’ve been fortunate to work with and count as friends. I’m grateful for your support! If this is your first visit to my site, consider bookmarking it, using the sidebar form to subscribe by email and/or…
(Click on any photograph below to switch to a larger scrolling view for best viewing. And I would love to hear what you think — which are your favorites in the group and so forth. Thanks!)
Dawn Light, Fog, Marsh and Tree
Purple Trillium
Point Sur
Pond, Fog, and Sky
Base of the Panamint Range
Desert Mountains, Rain
Backstage Before the Concert
Chinatown Street
The Selfie
Escalator and Stairs
Tropical Leaves
Ginko Leaves, Stones
Cottonwood, Red Rock Canyon
Roots and Rock
Potholes, Dusk
Cracked Mud, Canyon Light
Green and Yellow Aspens
Granite Slabs, Forest, and Lake
Forest Floor, Late Summer
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
