Tag Archives: light

Fond Antico

I photographed this bit of Bologna architecture on a “random walk” during our 2023 summer visit. In the morning we headed out with no particular destination in mind, just expecting to wander and see what we might discover. We had a vague plan to start near the two famous towers not far from the central piazza, and then we just kept going until we came to the edge of the old part of the town. We turned around and began to improvise a different route back.

I can’t tell you exactly where I made this photograph, since by this time we were following our instincts rather than a map. We changed directions as we saw interesting things, and our route was anything but direct. I was first intrigued by the arched doorways on this building, but the light also fascinated me. The combination of reddish earth tones and light reflected from other buildings on the narrow street reminds me of walking the narrow canyons of the American Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise Trees

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pacific Coast Highway, Headlands

This landscape that reminds me that change is the rule. It invites all sorts of questions. How long ago were those sea stacks part of the mainland? How long until the cliff-edge trail I’m slips into the ocean? Where will the next route-closing landslide occur? The dynamism of the landscape is clearly present here.

This time I visited for a few hours on a late-winter morning. The skies were mostly clear along the coast, as is common here between storms, but there was scattered fog and everywhere there was mist, from both the clearing fog and from ocean spray. Early in the morning the sun is blocked by coastal mountains, but as it rises its light angles down among these headlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sierra Silhouette, Wetlands Winter Sunrise

On a recent early morning visit to the Central Valley I was lucky to run into a couple of friends who were also there to see the wintry landscape and photograph migratory birds. We conversed casually during slow moments when we found ourselves in the same spots. One of them noted that a lot of my recent photographs have relied on pastels. True! I’ve been focusing those colors recently, and they are common in the winter landscape. This is not one of those photographs.

Indeed, these colors are almost lurid. I photographed just before the sun came up, when the pre-dawn light is at its most saturated. I used a long lens to focus on the brightly-lit clouds and their reflection, and to eliminate much of the surrounding darker landscape. Wild displays of color like this — and sky filled with migratory birds — are among the reasons that I’m willing to get up at “oh-dark-thirty” and drive for hours in the darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.