Tag Archives: monochrome

Photographs: Desert, Photographs: Nature, Photographs: Southern California

Trona Pinnacles

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Trona Pinnacles
“Trona Pinnacles” — Trona Pinnacles in early morning light.

Every time I visit Death Valley I pass close enough to these formations to see them standing in the distance, a striking sight in this otherwise flat valley where there was once a large lake. (They are tufa towers, formed when the area was submerged.) From time to time I detour to photograph them, but they have been a tough subject. I made this photograph on another of those detours, stopping between Ridgecrest and Death Valley before sunrise. The light proved to be challenging, but I had a few moments of lovely side-light shortly after sunrise.

The photograph is a liberal interpretation of the scene. Obviously, the subject is not really monochromatic, but I chose that route because it seems more dramatic. By the use of filters (here in software, but the effect is the same as we got in the old days with glass filters) I have accentuated the contrast in the sky to produce the effect that I had in mind when I photographed here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Lake Manly Shoreline, Desert Mountains

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Lake Manly Shoreline, Desert Mountains
“Lake Manly Shoreline, Desert Mountains” The dark Panamint Mountains rise in the distance beyond the shoreline of ephemeral Lake Manly.

Typically I might simply not attempt to photograph this scene. The glaring sunlight, while somewhat filtered by the clouds, was brightly lighting the white sand deposits along the shoreline of Lake Manly. Distance, haze, and backlight combined to mute the details of the Panamint Mountains. And this light was harsh, not the softer light of early morning or evening. But somehow I felt that the composition and the drama of the light and atmosphere held some promise.

The salt deposits reminded me of important things about this valley. They were a reminder — as is the water of ephemeral Lake Manly — that water played a major role in the formation of this place. And, as high as the water of the lake was at this moment, the yet higher salt deposits made it clear that this is not an unprecedented thing, and that even higher lake levels are still probably possible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Argus Range Clouds

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Argus Range Clouds
“Argus Range Clouds” — Low clouds hug the edge of the Argus Range to the west of Panamint Valley.

The typical assumption is that Death Valley and its surroundings are hot and dry. That is often the case — not much rain falls there in a typical year, and it can be unbearably hot. But the climate in and around the park is a lot more varied than many realize. I’ve been snowed on there several times, and not just in the mountains. I even recall seeing a few flakes one early April at Scotty’s Castle! This photograph — on a day with rain and snow in the mountains — comes from the last week of winter.

I made the photograph in Panamint Valley, on the west side of the Panamint Mountains, the tallest range in the park. Those mountains were at my back as I looked to the west. The high clouds marked the receding edge of a weather system that was producing rain and snow on the higher peaks. The fascinating band of “high fog” was forming over the edge of the snow-capped Argus Range in the wake of the front’s passage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Architecture, Photographs: Death Valley, Photographs: Desert, Photographs: People In Landscape, Photographs: Southern California

Desert Church, Storm Sky

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Desert Church, Storm Sky
“Desert Church, Storm Sky” — Stormy skies above the St. Madeleine Sophie Barat Roman Catholic Church in Trona, California

The town of Trona, near Death Valley, can feel like a place that is dying. A large factory operates in the town, extracting minerals from the giant dry lake in Searles Valley. I have passed through for years, and the number of abandoned and boarded-up homes and businesses has increased. This intriguing church sits along the highway, wedged between the town and the dry lake.

The church has fascinated me since I first saw it many years ago. I have never seen people there or even a car parked in the gravel parking lot. It is one of the least aesthetic Catholic Churches I have ever seen, looking entirely functional and standing implacably in this rough landscape. On the day I photographed it the wind was blowing and storm clouds had gathered over the distant Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.