Tag Archives: morning

Dawn Clouds, Lake Manly

I was not surprised to see quite a few people when I visited Death Vally earlier this month. Not only is this the peak season in any year, but the temporary reappearance of Lake Manly has been all over the media. In fact, that’s one of the big reasons I chose to go at this particular point. Over the years I have learned that it is often possible to escape the hordes just by going to a slightly different location than the most obvious ones. So I bypassed the “usual places” when I went out to photograph the lake on this morning — and I went very early, while most people were still sleeping!

There was not really enough light to photograph yet when I arrived here. My first intended target was the early light on the peaks of the Panamint Mountains along the opposite side of the valley. But before the light reached those summits it began to illuminate beautiful clouds forming above the terrain. I like that the absence of detail in the mountains and their reflection accentuates their abstract forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Clouds, Lake Manly

I made my annual visit to Death Valley this past week. While there I realized that it has been 25 years since my first encounter with the place, and that I have been photographing there every year for about two decades. In addition to the usual attractions, this trip focused on Lake Manly, the temporary resurrection of the prehistoric lake that once filled the valley. The lake reappeared after intense tropical storm rainfall last year and was augmented by more recent heavy rains.

Look past the obvious aridity of the place and the role water played in its creation becomes obvious. Roadways continuously rise and fall as they cross minor and major washes. The mountains are covered with the evidence of water erosion. The extensive playas and salt flats were created by pooling water. But the reappearance of Lake Manly really brings home the role of water in forming Death Valley’s geography.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Arch, Bridge, Big Sur Headlands

One more time, this subject from the upper Big Sur coast is one that I shared last week… and last year… and perhaps almost every year before that. Yes, I’ve been stopping to photograph here for years. Each time I tell myself, “OK, you are done with this scene now.” And almost every time I pass that way again I end up stopping. And I frequently find that the atmosphere has changed to present some new way of seeing it.

This visit was on a late-February morning. The surf was large, but not monumental. Yet it was enough to combine with thinning fog to produce a luminous haze along the edge of the water. This haze was gently illuminated by the morning sun rising above the coastal mountains, and its light arrived on the flat headlands at the left just as I arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise Trees

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.