Tag Archives: natural

Arches and Columns

Arches and Columns
Arches and columns in the Mosque-Cathedral, Cordoba.

Arches and Columns. © Copyright 2023 G Dan Mitchell.

Arches and columns in the Mosque-Cathedral, Cordoba.

Yes, I am most emphatically not in the Sierra Nevada of California this summer! House-sitters engaged, tickets purchased, reservations made… and we are now three weeks into a grand adventure. (It is also a rather hot adventure, but I’ll save that story for later.) I will not post photographs all the time as we travel, as I’d rather spend the time doing the traveling than post-processing photographs. But from time to time I’ll share a few that I think might interest readers.

We just spent a few days in Cordoba, Spain, where our main goal was to visit the Mosque-Cathedral. I cannot begin to describe the site in a way that does it justice, but it is among the most remarkable places I have ever visited. The deep history it contains, and the blending of influences from Islam and Catholicism, are deeply thought-provoking. It is filled with too many beauties and connections to fully understand it in a short visit — but don’t miss the opportunity if you ever have the chance to go.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hiker, Natural Bridge Canyon

Hiker, Natural Bridge Canyon
Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

Hiker, Natural Bridge Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

With the exception of a couple of very accessible and popular canyons, many Death Valley Canyons are not visited all that much. Even canyons that are a short distance from major iconic locations and roads are often uncrowded. Canyons that are more remote can be wonderfully lonely places, locations to find the solitude that the desert supplies in such abundance. They are magical places though, to be honest, if you have experienced the red rock sandstone canyons of the Southwest, many of the canyons of Death Valley are more subtle. The canyons are also an undeniable reminder of the tremendous role of water in forming this landscape, odd as that may seem in what is now a desert.

While many Death Valley sights are arguably at their best during or near the golden hour period around dawn and sunset, the canyons can be good a bit later in the morning and earlier in the afternoon. In fact, too close to the sunset/sunrise times and the canyons can be quite dark — perhaps too dark for most photography. But when the sun is a bit higher in the sky the light can strike upper canyon walls and bounce and diffuse down into canyon depths. This light can be soft, gentle, and take on the colors of the canyon rocks. You can see some of that light on the massive bridge that crosses this canyon, and if you look closely you may see a small hiker providing a sense of scale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Coastal Forest, Point Lobos

Coastal Forest, Point Lobos
Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Coastal Forest, Point Lobos. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Point Lobos State Reserve, located just above the Big Sur coastline, is not a large park, but it packs a lot of beauty into a small park. I have visited for decades, beginning long ago when my parents moved the family to California when I was about four years old and we used to take day trips there to picnic and visit the tide pools. (Today’s visitors would be shocked to know that it once was a quiet place not overrun by crowds. Ah, well.) In my teens, when I first became serious about photography, I used to go there and try to channel my inner Ansel Adams and Edward Weston. And, often to my surprise, I still find new surprises almost every time I visit.

On this mid-July visit I arrived in the morning on a weekday shortly after the park opened and before too many other people were there. I was hoping to time my visit for the breaking up of the morning fog, but it stayed foggy the entire time. I parked my car, shouldered a pack full of camera gear, and spent the next few hours wandering slowly and almost aimlessly across the northern half of the park, just looking and enjoying the cool coastal air. Eventually I found myself on familiar ground, walking along the north shore trail. I have passed this spot many times before and may even have photographed this bit of forest, but I had not really noticed these two light-barked trees — one twisted and one straight — surrounded by incredibly dense forest growth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.