Tag Archives: one

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Wood and Stones

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Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Arch, Bridge, Big Sur Headlands

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Arch, Bridge, Big Sur Headlands
“Arch, Bridge, Big Sur Headlands” — The ocean meets the rugged Big Sur coastline with an arch, a bridge, surf, fog, and coastal headlands.

One more time, this subject from the upper Big Sur coast is one that I shared last week… and last year… and perhaps almost every year before that. Yes, I’ve been stopping to photograph here for years. Each time I tell myself, “OK, you are done with this scene now.” And almost every time I pass that way again I end up stopping. And I frequently find that the atmosphere has changed to present some new way of seeing it.

This visit was on a late-February morning. The surf was large, but not monumental. Yet it was enough to combine with thinning fog to produce a luminous haze along the edge of the water. This haze was gently illuminated by the morning sun rising above the coastal mountains, and its light arrived on the flat headlands at the left just as I arrived.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Pacific Coast Highway, Headlands

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Pacific Coast Highway, Headlands
“Pacific Coast Highway, Headlands” — The Pacific Coast Highway traverses steep headlands above the Pacific Ocean on a hazy winter morning, Big Sur coast.

This landscape that reminds me that change is the rule. It invites all sorts of questions. How long ago were those sea stacks part of the mainland? How long until the cliff-edge trail I’m slips into the ocean? Where will the next route-closing landslide occur? The dynamism of the landscape is clearly present here.

This time I visited for a few hours on a late-winter morning. The skies were mostly clear along the coast, as is common here between storms, but there was scattered fog and everywhere there was mist, from both the clearing fog and from ocean spray. Early in the morning the sun is blocked by coastal mountains, but as it rises its light angles down among these headlands.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Agriculture, Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Gully

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Coastal Gully
“Coastal Gully” — The jagged ravine of a coastal creek crosses a pasture before reaching the sea, Big Sur coast.

Recently a meme about California seasons has been circulating on social media. The idea is that our weather always tricks us — we see early signs of spring only to be hit with a cold winter-like storm. The end of winter is an odd one in the state. It is still the rainy (and snowy in the mountains) season, but unlike many other states, here it is the green season. This process of turning green accelerates in March, and it looks more like spring than winter.

This striking, zig-zag gully crosses a bit of level land above the Pacific Ocean along the Big Sur coast near Point Sur. In this season, it is a jagged and dark gash in a remarkably green landscape. A close look reveals the history of this spot as pasture-land, evidenced by the fact that it is criss-crossed by fencing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.