Tag Archives: shallow

Sandhill Cranes, Wetland Pond

Sandhill cranes were the main reason that I went to the Central Valley on this winter morning. My plan was to be there before dawn — and I was! — so that I could photograph them taking flight in luminous fog at sunrise. But the fog over-achieved, and was so thick at sunrise that the birds weren’t visible at all. At that point the fog itself become my dawn subject.

As the morning wore on the fog thinned, and eventually the cranes and other birds became visible. I found a large group in a shallow pond where they had spent the night. One of the challenges of photographing groups of these birds is that much of the time their heads are down as they groom themselves or reach for the water. So I watch and wait, hoping for that instant when a few —or all! — of them raise their heads at once.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Dawn Light and Fog

Wetlands, Dawn Light and Fog
Shallow fog diffuses the morning light in Central Valley wetlands.

Happy New Year’s Day 2024! When this post appears on January 1, I’ll be in the field to greet the literal dawn of the new year with friends, fellow photographers, and few thousand migratory birds. With luck, it may be a morning like the one in the photograph, with beautiful soft light, a bit of fog, sunrise colors, and lots of wildlife all around. I hope that your new year begins as well!

This photograph comes from dawn on a December morning when I visited wetlands. My main goal was to photograph birds, but somehow I almost always end up photographing landscapes in such places. I arrived to some of my favorite conditions: the glow of pre-dawn light, thick fog, chilly air, and the sound of thousands of birds all around me.

Note: I’m starting the new year with a few changes at my website, including the new, simplified format for posted photographs and streamlined text. Since this is something of an experiment, don’t be surprised if I continue to make changes for a while.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sierra Lake, Submerged Rocks

Sierra Lake, Submerged Rocks
By the shore of an Eastern Sierra backcountry lake with a ledge of submerged rocks.

Sierra Lake, Submerged Rocks. © Copyright 2021 G Dan Mitchell – all rights reserved.

By the shore of an Eastern Sierra backcountry lake with a ledge of submerged rocks.

Recently I have had more than one excuse to go back and revisit photographs from previous years. First, this has been an attractive way to find “new old” work during this time of restrictions on travel. Second, I’m involved in a project (about which I can’t say more at the moment) that required me to spend a lot of time during the past month reviewing photographs from a particular subset of my Sierra Nevada photographs. It has been wonderful to relive a set of wonderful backcountry trips I took since about 2008 and, in the process, “discover” a lot of images that I had somehow left behind.

This is one of those photographs. I’ve often wondered about how it is that certain photographs seem to need to “age” for months or years before they make sense. In this case, I think what happened is that when I considered photographs from this place made on this day that I selected another image, worked my way through it, and then moved on. In essence, this one was “left on the cutting room floor” during that editing process. The scene is a high country lake — which lake hardly matters — where rocks under shallow, shoreline water contrast with the intense aqua color of the deeper water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.