I photographed these well-worn and utilitarian merchandise racks on a walk down a Chinatown side street last summer. It almost appeared that they had been demoted from active use to side-street storage, and that perhaps they were just waiting to be dragged away, or possibly they were being kept around long enough that they could still be pressed into service if needed.
I like trying to read (or read into) the possible history of artifacts like these. For example, they give every indication of being “home-made” by folks who don’t follow construction “rules,” but who have probably built such things before. The colors are wild, between the fluorescent green and the yellow, red, and blue of graffiti. I love the angle on the lower front of the rack at the left — all I can figure is that it must have been designed to match the slope of the particular San Francisco street where it was once used.
A dust storm rages above sand dunes at the end of the day, Death Valley National Park
This was a wild evening, featuring an apocalyptic combination of tremendously strong winds, huge clouds of blowing sand and dust, periodic downpours of rain, and light that changed constantly from ominous and dark to luminous clouds backlit by sun to threads of virgo, and more. I had never seen quite this combination of conditions in Death Valley at one time.
Photography was quite challenging. Because sunset was approaching (and I continued to photograph into the dusk), it was often quite dark. The screaming winds made it virtually impossible to shoot from the tripod, so I was mostly reduced to bracing my camera against the window frame of my vehicle and working with the camera handheld. In the rough conditions I was forced to work from a distance with a long lens, since photographing inside the windblown clouds of dust and sand was not a good idea. Here the clouds and the dust above the sand dunes momentarily thinned, creating a backlit glow from the low angle sun about to drop behind mountains to the west.
Evening rain clouds and dust storm above the Panamint Mountains, Death Valley National Park
This was a wild evening in Death Valley. While the clouds were generally moving toward clearing, we first saw extreme weather of several types. Down close to the ground there were big, billowing clouds of sand and dust being lofted above the Valley floor. High above that wildness huge weather front clouds built above desert mountains.
In the evening I decided to go our for one more photographic chase, even though the weather hardly seemed conducive to photography. In this case I resorted to an approach that I’ve used before in storms like this one, namely to put on the long focal length lens and shoot into the maelstrom from a distance. It this case, two storms were present at once: While high winds whipped up the sand and dust storm closer to the ground, overhead the monumental clouds of a rain storm towered over the desert mountains.
Filtered sunlight on granite slabs, Yosemite National Park
While many may associate waterfalls with Yosemite, especially if their experience is mainly with Yosemite Valley, it is simply granite that comes to mind first for me. Yes, there are beautiful forests, and many wonderful lake, and rivers, and wildlife, and more — but all of those play out against the backdrop of the ubiquitous Yosemite granite. It comes as cliffs, shattered rock on mountaintops, domes, and beautiful slabs.
I spent a week photographing around a backcountry lake in early September 2015, during the time of awful wildfires and a lot of smoke — in fact, that smoke was partially responsible for the filtered light on the day I made this photograph. Within a few minutes of our campsite, huge slabs of granite rose up from near the shore of the lake and climbed many hundreds of feet up toward sharp granite ridges high above. This section, glaciated in the past and then fractured by ice and water, was sculpted into beautiful shapes.
Shoppers and tourists walk past Chinatown shops at night, San Francisco
Allow me to continue to indulge my (relatively) new obsession with handheld night street photography! This is yet another photograph made after dark in San Francisco, in a popular tourist area full of people, shops, and plenty of wildly colorful artificial light. This might look a bit like just a photograph of a crowd, but when I look closer I’m fascinated by the variety of faces and activities and ways of engaging that I see.
It was only perhaps a couple of years ago that I discovered that I can use small handheld mirrorless camera set to high ISO to photograph in the nighttime city environment. In the past this was sometimes marginally possible in very well-lit areas, but most such photography required a tripod and its attendant disruption of the scene — people behave very differently when they see a big camera on a tripod. But now it is quite possible to roam with a very small camera and produce viable photographs that can even be printed rather large.
Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park
As I post this photograph on the summer solstice, this location is perhaps not a place you would want to be right now. I understand that temperatures in Death Valley National Park have been in the 120 degree range already this summer. But back on this March morning the scene was a lot different — clouds from a passing Pacific weather front obscured the dawn light, and there was a pleasantly cool wind at this location high in the Panamint range as the morning light arrived.
This view looks down through one of the many gigantic canyons of the Panamint Range, a sight that reminds us of just how important the flow of water has been in the creation of this remarkable landscape. In the middle distance the salt flats of Death Valley are visible at the base of the Black Mountains, and above that the demarcations between mountains and clouds and sky and light are hard to see, and the terrain of the rugged Death Valley landscape almost merges with the ephemeral terrain of this sky.
Sand dunes and desert mountains in twilight, Death Valley National Park
Arriving in Death Valley earlier in the day, we had visited some canyon country that is a bit off the beaten path and then headed back to our home base in the park for the next few days. We got settled in, had some dinner, and headed out to make some photographs, deciding that it would be best on this first evening to photograph nearby.
We made it to an area along the periphery of the dunes before sunset and then continued to photograph during the evening light transition from warm pre-sunset color to the post-sunset blue hour light. Here there was still a bit of a glow from the west, but the sun had already dropped below the Cottonwood mountains, and the light was soft as we finished photographing in the evening stillness.