(Note: I made a major mistake in one spot in this post, suggesting precisely the opposite of what I meant. I have added a single WORD in bold upper case to correct the error. )
Blog readers occasionally email questions (and comments) to me. I can’t always reply personally to all messages, but occasionally I like to share some answers here, both for those who asked and for others who might have similar questions. Here is the latest edition – including a question about monitor calibration and printing, one about an older Epson 2200, and a request for more information about photographing in Death Valley.
Kent wrote:
“I am hoping you might be able to advise me on a problem. I have been having some difficulty getting my prints to match my computer screen. I have a Canon 5D Mark II, shoot in RAW and use Lightroom to process my photos. I have a IMac LCD screen, about 4 years old. I send my converted JPeg files to Aspen Creek for printing. I have contacted the experts at Aspen
Creek and they suggested monitor calibration software. So I regularly use Eye One monitor calibration but that doesn’t seem to help. I also work in a darkened room to minimize the ambient light.
Have you had similar problems? Have any ideas? I wonder if a higher end calibrated monitor wouldn’t help.”
This can be a complicated issue, but let me at least offer a few ideas.
I don’t know if this is the issue in your case, but it is important to realize that even a well-calibrated monitor will NOT present an image that looks “the same” as the image that gets printed on paper. There are some fundamental issues that differentiate images that are formed by projecting light from behind (they “glow!”) and images that are formed from ink/pigments, etc. that are illuminated from light that falls onto them. In general, I find that prints will seem to have less contrast and less intense colors, and will usually need to be brighter overall than the monitor might lead you to believe. In my view, a calibrated monitor gives you a consistent point of comparison, but you still need to learn to understand how to predict what your print will look like by comparison to what is on the monitor.
Continue reading Questions from Readers (11/28/12) →
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
