Category Archives: Photographs: Urban/Street

Bridges, Mission Creek Channel

Bridges, Mission Creek Channel
Bridge structures over the Mission Creek Channel, San Francisco

Bridges, Mission Creek Channel. © Copyright 2019 G Dan Mitchell – all rights reserved.

Bridge structures over the Mission Creek Channel, San Francisco.

This is (yet another!) part of San Francisco that is undergoing a rapid transformation as the real estate costs skyrocket and a new generation of quite wealthy people move into the City… and developers and businesses do what they do in response to these changes.

It wasn’t all that long ago that the location from which I made this photograph was not exactly a high rent district. It is along the CalTrain commuter track right-of-way at the end of a long inlet, the Mission Creek Channel. There are still a few house boats docked along the inlet but everything else around here is new or about to be new — with the exception of the freeway whose supports form the vertical component of this scene. In the distance along the left edge fo the frame many new condos and apartments are visible. Out of sight to the right is the Mission Bay Area, where in a few years empty lots disappeared and were replaced by — you guessed it! — more apartments and condos, plus various business and related concerns. If you want to see what San Francisco was… go soon!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Abandoned Scooter

Abandoned Scooter
A scooter lies abandoned on a San Francisco sidewalk

Abandoned Scooter. © Copyright 2019 G Dan Mitchell – all rights reserved.

A scooter lies abandoned on a San Francisco sidewalk.

I almost stepped on this scooter while walking through a section of San Francisco. Scooters are everywhere it our urban environment now — the new electric rental scooters abandoned on sidewalks along with the smaller number of scooters owned by individuals… some of which rely on old-fashioned muscle propulsion. It is hard to say precisely why I photographed this one — in fact, a lot of my street photography is done quickly and without a lot of careful consideration. Stuff happens quickly “on the street.” I know that its weathered and broken character caught my attention, and the green color on the wheel is the sort of thing that often attracts my notice. It also seemed like its color was not that different from the concrete sidewalk on which it had been ab abandoned.

If you like looking for meaning in photographs — beyond the intrinsic meanings of form and color and texture and all of that stuff — you could problem find some in this scene. I’ll toss out a few thoughts to get you started, but I’ll also warn you that I likely didn’t think of any of them, at least not consciously, as I made the photograph. The red curb line at the top of the image indicates a place where there is no stopping. Finding such a popular and commonplace item as an urban scooter turned to trash brights thoughts about the disposable economy. Why is that rear wheel green? Perhaps you can think of others…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Waiting to Cross

Waiting to Cross
A group of pedestrians waits at a San Francisco cross walk.

Waiting to Cross. © Copyright 2019 G Dan Mitchell – all rights reserved.

A group of pedestrians waits at a San Francisco cross walk.Her

Here is another recent San Francisco street photograph, this one made at the end of the work day as folks were heading home… and as the usual tourists were out and about, somewhere between seeing the sites and looking for a place to get dinner. Because it was not mid-autumn and Daylight Savings Time had ended, the sun was going down early enough to bring softer light at this time of day and to allow the various sources of artificial light to have a greater effect on the scene.

I generally prefer not to assign any particular ideas about a photograph like this one, instead allowing viewers to make their own associations and find whatever meaning makes sense to them. I will share that the variety of appearances and poses of these folks as they step off the curb attracted me. as did the interesting quality of the late-day light in the urban canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Moonrise, San Francisco

Moonrise, San Francisco
The autumn moon rises above San Francisco’s Transamerica building

Moonrise, San Francisco. © Copyright 2019 G Dan Mitchell – all rights reserved.

The autumn moon rises above San Francisco’s Transamerica building.

Late autumn and early winter are great times to do street photography, in my opinion. I suppose that I’m biased in that one of my objectives is to be able to photograph in the twilight and early evening hours, when a bit of remaining ambient natural light combines with artificial lighting to produce the feeling of night in photographs without looking all details to the darkness. (I also like the fact that I can photograph at night… and still catch a train back home from San Francisco at a reasonable hour!)

On this November visit I had arrived in The City in the early afternoon, doing the usual sorts of street photography in the more traditional daylight. As sunset approached I headed north through the Financial District, and eventually wandered up Columbus before reversing course and heading back to the south through the Chinatown District. (Main reasons I like to photograph there at night include abundant and colorful lighting, along with relatively narrow streets that let me get close to subjects.) As I began my walk south into this area I looked up and was surprised to see the rising moon sitting next to the Transamerica building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.