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2022 Fall Color

It is that time of year again — my favorite season! This past week on walks here in the San Francisco Bay Are I have noticed the signs of the seasonal change. The sun is setting an hour earlier, our first (early!) Pacific weather front is arriving this weekend, some trees are starting to change colors, and the sound of old leaves skittering along the ground in the breeze is everywhere.

Autumn Aspens, Lake, Wildfire Smoke
Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens. @ Copyright G Dan Mitchell.

Fall color is more prevalent here in California than many realize. The earliest hints come to the high country of the Sierra Nevada in late August, when something in the air changes, corn lily plants turn yellow, the bilberry starts to pick up a bit of red, and you might even find an odd yellow aspen leaf here and there. Things pick up as we progress through September, and by the very end of the month it is often possible to start finding a few examples of good aspen color up high. Then the color works its way down to lower country, the valleys, and the coast over the following months. I’ve sometimes photographed “fall color” in the Central Valley as late as… January!

The main aspen color season in the Sierra peaks during the first half of October. It tends to start at higher elevations as early as the very end of September, becoming quite pronounced early in October, and working down to lower elevations into the third week of the month. If you can only go once, targeting your visit for about one week into the month is a good plan.

No one knows for sure how the season will evolve. Some things stay relatively constant from year to year, while others vary quite a bit based on temperature fluctuations, the amount of precipitation that fell during the year, whether or not early storms sweep through, and more.

I share annual updates on my Sierra Nevada Fall Color page at this website. I just posted this years first message there today — it is mostly some early thinking about how the season may evolve, along with a record of what has happened in some previous seasons. The latter may be useful as you plan your autumn color search in California.

One more thing: I may have something new to write about regarding fall color in a few weeks. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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ELEMENTS Magazine Article

I’m excited to announce that ELEMENTS Magazine has published my article on “Death Valley National Park: Photographing the Desert Landscape” in their August 2022 issue. It is an honor to have my photography and writing appear in the company of work by photographers I admire.

I’m A Contributor To B&H “Pro Tips” Article On Fall Color

Thank you to B&H Photo for including me in their new article on photographing fall color: Photo Tips and Favorite Gear for Successful Fall Foliage Pictures.

Autumn Color Transition
Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada

Excerpt:

“California-based G. Dan Mitchell notes that the color season can last months in California’s Eastern Sierra, given the large variations in elevation, precipitation, range of north/south latitude, and other factors. He explains, “When color is absent in one location, it may be great not far away. In the Eastern Sierra, this often means going to a higher or lower elevation. While aspens can start changing color at higher elevations in the second half of September, some trees at lower elevations may be colorful a full month later.”

“Author of the 2015 book, California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra, Mitchell notes that the Sierra offers a range of fall foliage opportunities far greater than many people realize.”

(About the “color season can last months…” comment. I can often find the first hints of coming autumn color early in September, and even in late August sometimes. I can still find low elevation color in the last half of October.)

Also included in the article – G Dan Mitchell, Bryan Carnathan, Moose Peterson, Dan Bailey, Matt Payne, and Chad DiBlasio

Enjoy!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Why Fujifilm Mirrorless?

(When I started this post I thought it would be short — but it grew and grew and grew! In addition, right now and for a couple of days after the publication date, there is a Fujifilm instant rebate promotion that takes hundreds of dollars off the prices of lenses and cameras and bundles. See a list of links at the end of the article.)

Fujifilm X-Pro2
Fujifilm X-Pro2

My friend “Pat” sent me an email recently with the following question:

I hope you have been well. I was hoping you could offer your thoughts on ‘why Fujifilm’ for your walk-around/street photography system. I have been reading (perhaps a little too obsessively) many rave reviews on their cameras and consistently love the look of images that are shared. (Kevin Mullins, Zack Arias and many others) have professed their love for the Fujifilm system.) While my G.A.S. has been in remission lately, I know I am susceptible to a relapse-I’m not sure if I’m looking for you to talk me off the ledge or give me a solid shove. Why do you choose Fujifilm instead of using a couple of the smaller (non-L) primes with your 5D series? I shoot the 6D as my primary body and have been saving for a 24-70 f2.8 (to replace my 24-105) but the current sale on the Fujifilm at Adorama has me thinking. 

As I thought about my reply it occurred to me that others might be interested in the answer, too. With that in mind, I’m sharing my reply. The main context of your question seems to be focused on street and “walk around” photography, and Fujifilm is now my primary system for what I refer to as “street photography and travel photography.”

And, yes, G.A.S. (Gear Acquisition Syndrome) can afflict all of us. Let’s see if I turn out to offer an antidote… or become your enabler!

Settle back. This won’t be brief. Continue reading Why Fujifilm Mirrorless?