Tag Archives: assemble

Sandhill Cranes, Winter Wetlands

Sandhill Cranes, Winter Wetlands
A large group of sandhill cranes assembles in Pacific Flyway wetlands on a winter morning.

Sandhill Cranes, Winter Wetlands. © Copyright 2021 G Dan Mitchell – all rights reserved.

A large group of sandhill cranes assembles in Pacific Flyway wetlands on a winter morning.

This was one of the larger assemblies of sandhill cranes I have seen in California’s Great Central Valley. (Though it still fall far short of the largest group I’ve seen, in an out-of-the way spot in the delta region east of San Francisco Bay.) There are quite a few visible in the photograph, but many more were outside the frame on both sides and extending well into the distance. It seems to me that they are more likely to be part of such groups late in their California season, or at least that the groups are less remote from observation points.

At the point I photographed them, most of the cranes were still relatively settled in on this pond, with only a few coming and going. A bit later they began to depart, typically in small groups of perhaps a half dozen or so. But at this moment, aside from the five who thoughtfully occupied the upper part of the frame, they were mostly stationary as the early morning sun came to the wetlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Crane Dance, Morning

The Crane Dance, Morning
Two sandhill cranes perform the ritual “crane dance” as others look on.

The Crane Dance, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two sandhill cranes perform the ritual “crane dance” as others look on.

For the most part, sandhill cranes pretty much… stand around a lot. They often seem to be doing nothing at all, though perhaps they are feeding. Groups will stand in one spot for long periods of time, or perhaps a few may decide to wander a short distance for some reason. (If their path takes them away from you, there is a good chance that you may be closer than you really should be.) They fly out in the morning, and big groups of them often return in the evening, in what I regard as the most dynamic time of day for them.

And then, every so often, they “dance.” A pair of them, or sometimes an individual or even more than two, perform this remarkable ritual. By some combination of hopping and wing flapping they rise abruptly into the air, typically getting no more than a couple of feet off the ground and then dropping back to the same spot. From what I read, this may be a part of their mating/courting ritual, though they do this at other times for what seems to be no discernible reason. Perhaps they just feel like dancing? (In this little scene, I’m intrigued by the interested voyeurs on the left!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clay and Grant, Night

Clay and Grant, Night
People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

Clay and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

This was a beautiful San Francisco afternoon and evening. I rendezvoused with some photographer friends in the late afternoon, and after a group dinner we headed out onto the San Francisco streets eventually winding our way into the Chinatown area around dusk. Fog was coming in, turning the ambient light a beautiful blue color, and street and business lights were coming on and producing contrasting warmer toned light.

In these situations photography is a combination of keeping my eyes open and responding intuitively and of watching for potential compositions and subjects and then waiting for the right characters to populate the scene. Certain places are more likely prospects: narrow streets with electrical light coming from both sides, storefronts, and corners. At the latter people often have to stop and wait for traffic to clear or to figure out where to go next, and they sometimes assemble into interesting compositions and stay there for more than an instant. Here, if I recall correctly, my first attraction to the scene was towards the glowing light in this corner market. I quickly noticed the line of people spread across the scene from left to right, and for an instant the man standing in light at the center of the frame looked up and somewhat toward the camera, and against a backdrop of mostly hidden faces his appearance jumped out at me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.