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Skylights, Manhattan

Skylights, Manhattan
Skylights glow in the gathering darkness on a Manhattan rooftop.

Skylights, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Skylights glow in the gathering darkness on a Manhattan rooftop.

Given the right camera position and the right light, small and easily overlooked bits and pieces of the urban architectural environment turn out to be interesting. I’ve long noted that in dense, urban environments the exteriors of living spaces are often far from attractive — at best they are utilitarian and at worst they can be downright ugly. My theory is that people, for the most part, do not regard the exteriors of their spaces the way we might in space-filled suburban environments. They don’t use these exteriors to present themselves to the world —no gardens, no fancy paint, no cute signs… just the functional and often well-worn necessities.

I don’t know for sure what is beneath these skylights, but I suspect that it could be someone’s living or work space. I’d also bet that whoever occupies the space has little or no idea of what these skylight look like from the outside, and they may not even think about the potential that people like me walk by every day and may look at them. From inside, the skylights are a way to let light in. But at night, to the passer-by, they become a source of light themselves as they radiate outwards.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Raven on Fence Post

Raven on Fence Post
Raven on Fence Post

Raven on Fence Post. Point Reyes National Seashore, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A raven perches on a fence post above cattle ranch pasture, Point Reyes National Seashore

I had not gone to Point Reyes to photograph ravens. In fact, the thought of photographing these birds, which are not exactly high on my list of birds I love to photograph, had not even crossed my mind. I had a half day to do some shooting, so got up three hours before dawn and drove north through San Francisco, over the Golden Gate Bridge, into Marin County and then over to the coast, hoping to make it all the way out to the tip of Point Reyes to photograph Drakes Bay at sunrise. I didn’t make it quite in time, and instead ended up photographing Tomales Bay as the sun came up. After that I headed out on the road toward the point, but on a whim decided to finally drive up the Mount Vision Road, which I have always passed by on my way to other places. This was in interesting diversion, but after a while I remembered that a group of folks from the Bay Area was going to meet up to photograph the Point Reyes tule elk at around 9:00 a.m.

I figured I might try to join them, even though I haven’t really had that much luck photographing the elk in the area at the north end of the park where they are most easily found. (My best “elk experience” in the park was in a different area where I didn’t even expect to see them.) So I drove back a bit and then out on the road toward where the elk are found – in the area beyond Abbott Lagoon and near Pierce Ranch and McClure Beach. As I started out that road I saw a lot of birds of various sorts, so I stopped and grabbed my camera with the big lens from the trunk and put it on the seat next to me. (Smarter photographers than I probably normally keep such a setup handy while driving!) Sure enough, before long I started passing lots of birds along the road including this cooperative raven, who despite looking a bit nervous when I stopped close enough to make a photograph, stuck around long enough for me to get one shot… before other cars drove up and passed me and scared the bird away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industry Noir

Industry Noir - A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.
A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Industry Noir. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Given some of the other iconic and impressive things that may be photographed at the Mare Island Naval Ship Yard, this is sort of a normal looking scene. However, as one who has photographed there quite a bit at night, somehow it seems to capture – for me, anyway – something about the way the place feels. Wandering about among very old, very abandoned, and very dilapidated old structures in the quiet of the night, sometimes things can feel just a bit strange, and a glow from inside a window on the second story of a building or the reflection of a soft interior light can sort of make you wonder just a bit.

To be honest, I’m rarely scared or nervous when shooting there. For the most part the experience is a very quiet, slow, and contemplative one. But I recall one night that was a bit different. I had arrived early – before the sun set – and had met up with a group of fellow night photographers. They had some plans to shoot in a particular area, but I really wanted to shoot something else at first. So I told them to go ahead and start and that I would find them a bit later after shooting my first subject. Finishing with that work a half hour or so later I headed off in the direction they had gone, stopping to make more photographs along the way. But I never saw them again. I continued shooting along, wandering along deserted old streets and up alleys behind abandoned buildings. Finally at one point I suddenly became aware of being very alone in a very dark place and, for the first and only time at MINSY, I became nervous – and quickly packed up, returned to my car, and left. This photograph reminds me of that just a bit…

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Abandoned Turnstiles

Abandoned Turnstiles - Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.
Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Abandoned Turnstiles. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.