Tag Archives: broken

Autumn Sky

Autumn Sky
“Autumn Sky” — November morning sky and clouds above California’s Central Valley.

The pre-dawn light on this autumn morning in California’s Central Valley did not look all that promising. It was one of those, “OK, but nothing remarkable” days — lovely, but not with quite the magic I hoped for. As I recall, the earliest light of sunrise was muted by clouds to the east over the Sierra Nevada. But before long things began to improve, and I had a few moments of quite intense light shortly after sunrise.

This is an example of a phenomenon that I’ve learned to watch for. It is a circumstance that increases the potential for brilliant dawn or sunset color, though it is far from a guarantee. On a cloudy morning or evening when the cloud layer ends far to the east (at dawn) or west (at sunset), there is a chance that the sun will briefly shine under the clouds as it touches the horizon, lighting the clouds with intensely colorful light from underneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Interrupted Dune #2

Interrupted Dune #2
Interrupted curve of sand at a Death Valley dune.

Interrupted Dune #2. © Copyright 2022 G Dan Mitchell – all rights reserved.

Interrupted curve of sand at a Death Valley dune.

If you follow my posts and think that this looks familiar… you are right! It is a vertical (or “portrait”) format version of a subject that I shared earlier in a companion “landscape” orientation version. When a subject can work either way (albeit with different effects) it is my practice to capture both vertical and horizontal versions. I suppose one reason is that it relieves me of the worry that I might have picked the “wrong” option. It also puts off a final choice until later. In addition, it provides me with two visual options for the image, something that is occasionally useful. (For example, book and magazine covers tend to use vertical formats.)

Superficially this version looks a lot like the other one, though the taller and narrower format may give greater weight to the curve running between the bottom and top of the image and less weight to the darker portions of the scene. However, if you were to look at them side-by-side you would notice that the textures in the sand are subtly different, and that that colors have also shifted a bit. This photograph, like quite a few that I make in situations like this, was made in rapidly changing light conditions, and in the brief interval between the two photographs the scene changed visibly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wetlands

Winter Wetlands
Flooded winter wetlands with broken-down tules .

Winter Wetlands. © Copyright 2022 G Dan Mitchell – all rights reserved.

Flooded winter wetlands with broken-down tules .

Places like this fascinate me. The location is in California’s Great Central Valley, a 400+ mile long feature running up and down the state, separating the coastal mountain ranges from the Sierra Nevada. Most people are probably familiar with it from driving through or across it on their way to some other place. It is largely agricultural, though these days population centers are expanding rapidly and parts of the valley are increasingly urban. Bottom line? It is hardly a place that most people would regard as a scenic attraction.

I get it. And most of my visits are more of the “passing through” than the “going there” sort — except in winter when I often make it my destination. Winter provides a relief from the valley’s generally hot and dry climate during most of the year, and wet areas appear when rain falls, especially where rivers meet and were old marshes once existed. The soft light and the expansive sky can be a relief from the urban experience. Here, wetland ponds are full from recent rains, and interesting tule islands stand where someone has chopped town the vegetation before the pond was flooded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pumpkin Universe

Pumpkin Universe
What was left of a pumpkin on the day after Halloween.

Pumpkin Universe. © Copyright 2021 G Dan Mitchell – all rights reserved.

What was left of a pumpkin on the day after Halloween.

This is another in the “orange series” of photographs that I made in October as part of a seasonal challenge issued by a group of fellow photographers — namely to go out and make photographs of orange things. I’ve written about this in other posts, so I’ll keep the story somewhat short. I started with the obvious Halloween notion of photographing pumpkins, but then I decided to look for ways to photograph them somewhat differently — not jack-o-lanterns and not the common “fall bounty” images. So I headed out into the neighborhood looking for distorted and damaged subjects.

There’s a well-known quote about a photograph being what it is (a supposedly objective visual record) and what else it is (a rather wide field). It should be obvious that you can “see” a photograph in multiple ways — an image of the literal thing, a suggestion of something else that it isn’t, and so on. While this photograph obviously depicts a fairly ordinary thing, I enjoy looking at it as something different from that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.