Tag Archives: byway

New England Woods #7

New England Woods #7
The autumn color explosion begins in the White Mountains of New Hampshire.

New England Woods #7. © Copyright 2022 G Dan Mitchell.

The autumn color explosion begins in the White Mountains of New Hampshire.

Every year at about this time I head to the east side of the Sierra Nevada to photograph fall color, which mostly means aspens. This year’s trip to the “east side,” however, was to the east side of the United States. That’ right, Patty and I finally made it to New England for its famous fall color season. (Don’t worry, I’m still hoping to squeeze in a quick visit to Sierra fall color before long.) Friends have told me for years that I had to see east coast fall color, and an August visit to Vermont’s beautiful forests intrigued me even more. Then I did a B&H podcast (“Fall Foliage East and West with Jerry Monkman and G Dan Mitchell“) and listened to my fellow interviewee, Jerry Monkman, talk about photographing there. After all of that, I guess it was pretty much fated that we would go this year!

I’ll have a lot more to say about New England fall color, the specifics of our visit, and how the East and West Coast experiences compare later on — there’s too much to write in a single post! I made this photograph near the start of the visit, perhaps a day or two before this year’s peak color in this area of the White Mountains. The color variations are, as I already understood, much greater in New England than in the Sierra, and the hardwood forests seem to all change nearly simultaneously. This photograph, like many of my favorites from this trip, was made in soft light and cloudy conditions, which provide some of the most beautiful light for this subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Calf Creek Canyon

Calf Creek Canyon
Calf Creek Canyon

Calf Creek Canyon. Grand Staircase-Escalante National Monument, Utah. October 27, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Fall colors along Calf Creek in the bottom of Calf Creek Canyon, Utah

Anyone who has spent much time in this part of Utah probably knows this view along highway 12 between Boulder and Escalante. They (you?) probably also remember this section of the road well, too, since it follows a rather remarkable route as it drops to the Escalante River from plateau country to the west, rises up a narrow canyon from the Calf Creek and Escalante River confluence, and then runs along the top of a thin bit of high country between very deep canyons.

I drove it more than once on a recent visit, but only stopped to photograph on the final traverse after leaving Boulder to head west and meet family at Zion. It was morning, and I had more time than I needed for the drive, especially since I wanted to arrive in Zion at an hour when the light would be good along Mt. Carmel Highway. As I looked down from the road into the Calf Creek drainage I simply had to stop and make a few photographs. The light was slightly softened by high clouds and the fall color of the cottonwood trees and other foliage along the creek bed was at its peak. A bit of haze accentuated the distance as the canyon and its complex geology meandered toward its meeting with the Escalante a few mile further on.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point
Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A trail weaves through meadow and among sub-alpine ponds at Artist Point with the ridge of Mt. Shuksan beyond – Mt. Baker-Snoqualmie National Forest, Washington.

This is another photograph from my late-August afternoon exploration of the stunning ridgeline of Artist Point in the Mt. Baker-Snoqualmie National Forest near the Mt. Baker ski area. This ridge runs through an intimate landscape comprised of small rock fields, meadows with running streams, groves and isolated high elevation trees, and small ponds – and provides a truly stunning panorama that takes in Mount Baker on one side and Mount Shuksan on the other, with distant peaks all around. We could hardly have asked for better conditions for late-afternoon photography. Dramatic clouds ringed the peaks, sometimes obscuring them and sometimes clearing for a moment, and bright sun alternated with softer and diffused light as cloud shadows moved across the ridge.

A bit further along the ridge there is a series of small snow-melt lakes – what I usually refer to as “tarns” in the Sierra. Here a trail winds in front of a couple of them that sit in rocky hollows in front a few ridgeline trees, with the cloud-shrouded shoulder of glacier-covered Mount Shuksan beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Artist Point Meadow, Mount Shuksan

Artist Point Meadow, Mount Shuksan
Artist Point Meadow, Mount Shuksan

Artist Point Meadow, Mount Shuksan. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

The view of cloud-shrouded Mount Shuksan from a heather-filled sub-alpine meadow at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.

As my brother and I came around the corner of this trail along the side of the Artist Point ridge, it took our breath away. I arrived a moment after he did, and found him already down among the heather flowers near the small run-off creek setting up his tilt-shift lens to make a close-up photograph of the flowers with the mountains in the distance. Once he finished, I went to work on this wider view of the scene, including the nearby foreground meadow and flowers, the trees along the edge of the drop-off, the pool of light in the valley beyond, and the shoulder of cloud-rimmed Mt. Shuksan with a dramatic sky beyond.

On a technical note, this was a very difficult exposure. When I looked down at the flowers and plants I saw what you see here, and when I looked up I saw the cloud-filled sky roughly as it appears in this photograph – but the dynamic range was so wide (ranging from parts of the foreground trees in deep shadow to distant snow fields in direct sun) that one exposure could not capture all of the scene data… so I used three which were then combined in post using masked layers and blended manually.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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