Tag Archives: concrete

Leaves Trace

I walk a lot, and I always carry a camera. At a minimum I have my smart phone, but most of the time I have a “real” camera in my bag. I don’t always photograph on walks, but from time to time I spot something that interests me. This was one of those times. Recent rains had leached the colors out of fallen leaves, staining the sidewalk with their autumn traces.

This photograph is a bit difficult to categorize. In a sense it is an “autumn photograph,” since the subject derives from that season’s leaves. But I made it in winter after those leaves had time to stain the concrete. In addition I’m not sure if it is an urban/street photograph or a photograph of nature. In the end, perhaps it doesn’t matter — it is just a photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Concrete Wall Detail

Concrete Wall Detail
Shadows from nearby branches fall across a crached and weathered concrete wall.

Concrete Wall Detail. © Copyright 2023 G Dan Mitchell.

Shadows from nearby branches fall across a crached and weathered concrete wall.

The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.

Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stairway, San Francisco

Stairway, San Francisco
A steep stairway ascends through a residential area of San Francisco.

Stairway, San Francisco. © Copyright 2022 G Dan Mitchell.

A steep stairway ascends through a residential area of San Francisco.

The terrain underlying the city of San Francisco is in many places quite complex. Before settlement it was a place of hills cut by streams, flatlands, and shallows that were later filled in to expand the available land area. I made this photograph in an area along a ridge where the “sidewalks” are sometimes more vertical than horizontal and mostly consist of stairways.

There’s something a bit mysterious about this bending stairway as it winds upwards and twists out of sight. The mixture of angles and textures here is also fascinating — wood and concrete, horizontal and vertical, rigidly aligned to the horizon and angled in odd directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Empty Lot, Paris #2

Empty Lot, Paris #2
An empty lot with graffiti in Paris, a 2022 rendition.

Empty Lot, Paris #2. © Copyright 2022 G Dan Mitchell.

An empty lot with graffiti in Paris, a 2022 rendition.

Almost any time I open up an old photograph for some reason other than pure curiosity — and sometimes for that reason, too — I reconsider it and make some minor adjustments that seem like improvements. That might seem odd in today’s world of digital post-processing and inkjet printing. Back in the film era, every print was a unique rendition, the result of physical acts in the darkroom during the printing process. It was literally impossible to do what is the norm today — to make every print exactly the same as the others. All of this is a long way of saying that I don’t see why an early version of a photograph should be the final say on it.

Recently I re-opened this photograph, made a few years back on an evening walk around the Montmartre area in Paris. It was surprising to find this empty lot in a crowded area and to note that it appears to have been empty for some time. There’s a lot going on in the scene, but that blue portrait catches my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.