Tag Archives: diffused

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sandstorm

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Dunes, Sandstorm
Diffused light and atmosphere as a sandstorm rises above desert dunes.

Dunes, Sandstorm. © Copyright 2013 G Dan Mitchell – all rights reserved.

Diffused light and atmosphere as a sandstorm rises above desert dunes.

This photograph comes from a memorable early spring visit to Death Valley National Park back in 2013. (I know… what visit to Death Valley isn’t memorable, right?!) This day brought a fairly big sandstorm to the Valley, and I worked on photographing it in different locations and in a variety of ways — trying to focus on the atmosphere itself, on subjects made nearly opaque by the dust and brilliant light, attempts to capture the power of the dust-laden wind. This photograph perhaps comes closer to most of them in representing a subject that might be recognizable.

Photographing in these conditions is quite an experience, one that I’ve had more than a few times. On one hand, the scene can be overpowering and quite astonishing. Typically, aside from heat, these desert scenes can seem quite benign, mostly nearly static and quiet — in fact, immense stillness and quiet are among the most characteristic qualities of the desert landscape. But when such storms arise the experience is completely different and quite overpowering. It becomes difficult — sometimes bordering on impossible — to do much besides hunker down and wait for the conditions to subside.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Dense Aspen Grove, Bishop Creek

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Dense Aspen Grove, Bishop Creek
Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek. Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Soft light filters through the canopy of a dense aspen grove near Bishop Creek, California.

I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.

Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Natural Bridge Canyon

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Natural Bridge Canyon
Natural Bridge Canyon

Natural Bridge Canyon. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

A gravel wash in the bottom of the narrow confines of Natural Bridge Canyon, Death Valley National Park.

These narrow canyons, of which there are a number of great examples in Death Valley, can provide some interesting photographic opportunities, but they also can pose some real challenges. Much of the rock in these places is, frankly, rather drab and of low contrast. However, at the right time of day and on a day with the right light and in the right parts of these canyons, the glowing light reflected down into the canyons from overhead rock walls can produce warm and diffused light and bring interesting colors to the place.

I made an unusual decision to use a very long focal length for this photograph – it was shot with a 100-400mm zoom at 330 mm. More typically I would probably tend to use wide angle focal lengths in the confines of such a canyon. However, because I wanted to juxtapose the different colors and shapes of the sections of canyon wall along the narrow and twisting wash, I chose the long lens to compress the distance. Although I think the photograph creates a feeling that I’m positioned very close to the foreground rocks and the darker bit of canyon wall on the left, I was actually quite a distance back from this spot.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects

Portal, Wall, and Cable

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Portal, Wall, and Cable
Portal, Wall, and Cable

Portal, Wall, and Cable. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Looking through a portal in a yellow wall towards a white wall beyond, lit by diffused light.

This is almost, but perhaps not quite, a “photograph of nothing.” As we walked through this New York City museum I was distracted by the way the light hit different surfaces, especially because the light was especially diffused on this cloudy morning – and I was intrigued by the juxtapositions of different colors and shapes and types of lighting that I could find as I moved through this space. This minimalist image consists of an open portal with what must be a safety cable along the bottom sill, with a large room with white walls beyond, and another similar portal and a corner breaking up the white walls near the left side of the image.

Ideally it would be best to shoot this from a tripod at low ISO and a long shutter speed and perhaps with a prime. However, here I had to improvise, shooting hand held at 1/20 second (yay for IS!) with a zoom lens that required some distortion correction in post.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.