Sheet metal fence, roll-up door, trash, and hand-written message to the garbage man, Brooklyn
“Please close and lock this gage. Garbage man”
I know this will baffle a few readers… but there you go. I’m tempted to offer little explanation and let you make of it what you will. This small vignette comes from a semi-industrial area beneath a bridge in a section of Brooklyn, New York. Is that cryptic enough? ;-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The desert sky is reflected in the windows of an abandoned brick building in the ghost town of Bodie, California
I have been to Bodie quite a few times, but I rarely go there anymore unless I think something interesting might happen with the weather. The place is often sun-blasted, with cloudless blue skies, and during the part of the year when it is most often visited it tends to be quite hot and dry. Don’t get me wrong – Bodie is a fascinating place and its story is even more interesting. I’ve visited a number of ghost towns and isolated abandoned structures in the outback of California, and the sheer scope of this ghost town sets it apart, as does that fact that California has worked to sustain it in a state of suspended decay.
We were wandering around the eastern side of the Sierra Nevada and points further east of that on the final day of our five-day “aspen chasing” visit this October. Most often my plans are a bit general and/or flexible, and I like to adapt to changing conditions rather than stick to a preset shooting schedule. On this day we were surprised to find it snowing when we awoke in Mammoth Lakes, and as we left town to explore in an eastward direction we stopped to photograph dawn snow flurries over the Sierra crest. Eventually, after going a good distance out toward the Nevada border, we looped back to the north and ended up in Lee Vining, where we grabbed a (very late!) breakfast at Nicely’s. The possibility of going to Bodie was somewhere on the list of options, but when we continued to see snow falling about the town and clouds to the north and east, we decided to head out there to see what we could find. In the end, there was no snow falling in Bodie – though it had fallen there earlier that day – but it was very cold and very windy and broken clouds provided interesting and changeable light. One of my main subjects as I wandered around the town making photographs turned out to be the doors and windows on the old buildings. Perhaps ironically, given my usual lack of interest in sun-blasted Bodie, I shot this scene in nearly flat front light – but it seemed appropriate for this old and weathered building and the reflection i the old windows of the very blue cloud-filled sky.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of old automobiles abandoned and left to decay in a gully at an old desert mining site
I have passed this old mining site quite a few times, looked up at it, and kept going. On this morning I had a bit of extra time so I decided to pause and poke around a bit. Certain obvious signs of the presence of an old mine are clear from nearby, but a bit more exploration revealed a more extensive than expected site – as is often the case. Although an old gravel road headed into the area, I decided to first walk up the road, partly to avoid nasty surprises while driving and partly so that I would see a bit more – which is typically what happens when I’m on foot rather than inside my vehicle.
The gravel road twisted up a small gully and soon reached an area that revealed views of quite a bit more mining evidence than I had suspected. I’m certain that if I had continued to explore that I would have found even more, but I’ll save that for another visit. I often have this feeling that these sites should be much older than they really are, and I’m still somewhat surprised to find that some of them were electrified. The surprise at this location was the number of not-really-that-old vehicles that had been abandoned. They are decades old, but I’m guessing that they might date to roughly the WWII era or even a bit later which, in the grand historic scheme, isn’t all that long ago. Several of these vehicles had been abandoned, somewhat oddly, in the bottom of a wash that must flood at least occasionally, considering the amount of gravel that swamped their undersides. The back of this one was open, so I positioned my tripod just outside the car and shot through it toward the other abandoned vehicles. (If you find and explore such places, please be extremely careful to leave things as they are. The effects of our individual disruptions are cumulative and accelerate the destruction and eventual disappearance of these sites.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.
I wonder how long it will take for me to feel that I have exhausted the possibilities of this walk along San Francisco’s Embarcadero? Here is (yet another!) morning photograph made it this area, once again with what is perhaps my favorite light in this location – the early morning glow of backlit fog/haze over the waters of the Bay.
I made this photograph on a very calm summer morning when there waters of the Bay were almost completely smooth, at least until a bit of boat traffic began to come by and a breeze came up. Interjecting itself into the left side of the frame is one of the old piers along this section of the waterfront. In the far distance, all the way on the other side of the bay and muted by the morning haze, are giant cranes used at the Port of Oakland.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
