Tag Archives: distance

Photographs: Mono Lake, Photographs: Nature

Mono Lake, Autumn Haze

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Mono Lake, Autumn Haze
Haze settles over the expanse of Mono Lake on an autumn morning.

Mono Lake, Autumn Haze. © Copyright 2023 G Dan Mitchell.

Haze settles over the expanse of Mono Lake on an autumn morning.

On this autumn morning I began photographing at Mono Lake well before dawn. My main idea was to work from a particular spot that has interesting shoreline contours and views towards distant peaks, starting when I could photograph the light of the intensely colorful pre-sunrise sky reflecting on the lake’s surface. I did that, and I stuck around just until the sun cleared those distant mountains — then I moved on to photograph the lake in more “normal” daytime light.

I initially went to this spot hoping to photograph some thin fog that was trying to establish itself along the lake’s shoreline, where cool autumn air flowed over the warmer lake waters. As I considered the scene I became more interested in the silhouettes of the distant island and hills, many miles away, and the textures and patterns formed by morning breezes on the surface of the immense lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Butte, Morning Haze

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Butte, Morning Haze
A desert butte and mountins stretch into the distance in morning haze, Death Valley National Park.

Butte, Morning Haze. © Copyright 2023 G Dan Mitchell.

A desert butte and mountains stretching into the distance in morning haze, Death Valley National Park.

With all that haze, this may not be your typical Death Valley photograph, but it is my favorite kind of light. I love haze, backlight, and scenes full of interesting shapes, curves, and lines. I’m also fond of including elements that are barely visible, as is the case with the furthest hills beyond the rounded butte.

The photograph is an example of the “don’t forget to look behind you” school of photography. We naturally focus on the main subject in front of us, the one that brought us to a place. But frequently something else is lurking nearby, often to one side or behind us. That was the case here, as this scene was almost 180 degrees opposite the very different subject that I had been photographing before I turned around to see this view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Death Valley, Morning Haze

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Death Valley, Morning Haze
Early morning haze obscures distant mountains and valleys, Death Valley National Park.

Death Valley, Morning Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early morning haze obscures distant mountains and valleys, Death Valley National Park.

The truth of the matter is that I’ve become a bit obsessed with this view. I’ve photographed in morning and evening, in warm weather and in the middle of winter. (It gets cold on these ridges, even in Death Valley National Park.) On one occasion I was forced to turn back by snow on the route. I’ve seen utterly glorious light here, and I’ve encountered light so flat and gray that it wasn’t really worth photographing. Sometimes when I visit the park I tell myself that I won’t go here… and then at some point I almost inevitably end up making the trip.

Most often I’m completely alone here, though on a few occasions I’ve encountered one or two others. This place, and others like it, are remarkable at any time, but even more so when I experience them in solitude. Those mountains in the hazy distance are perhaps 30 to 40 miles away. Behind me the view stretches all the way to the snow-covered Sierra, and off to my left lie peaks well beyond the Nevada border. And everywhere in this vast expanse the landscape is laid bare, raw and visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Basin and Range

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Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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