Tag Archives: driveway

696

696
Rollup doors on building 696, San Jose.

696. © Copyright 2020 G Dan Mitchell – all rights reserved.

Rollup doors on building 696, San Jose.

This photograph is a bit of a study in “accidental geometry” that I encountered while on a walk earlier this fall. The two roll-up doors are almost but not quite perfect mirror images, but the surrounding walls are almost opposites, light and dark, and the whole thing is set off by horizontal areas at the top and bottom. There is one little asymmetrical element in the numbers next to the right door — but even there you can find a certain interesting formal pattern if you look for it.

This probably doesn’t seem like my usual subject, but I can assure you it is the sort of thing I see quite often — more often, in fact, than autumn aspens, rugged seashores, deserts, and alpine mountains. It is the terrain of my regular pandemic walks in a circle that extends across a several mile radius from our home. In one direction I often end up passing through light industrial areas, including some that might seem just a bit sketchy. In fact, as I made this photograph I was standing within feet of the temporary pandemic homes of trailer-dwellers parked on the street.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Happiness…

Happiness...
Street scene in downtown San Francisco

Happiness…. © Copyright 2019 G Dan Mitchell – all rights reserved.

Street scene in downtown San Francisco.

There is a good chance that you don’t immediately see why this photograph is titled “Happiness…” But now that you’ve looked more closely, you have probably figured it out. Yes, the word “Happiness” appears in large letters on the wall of one of the buildings. On one hand, I suppose it is a nice word to have on your building. On the other hand… does painting a word on the side of the building bring happiness. Feel free to ponder.

Aside from that, this spot in downtown San Francisco has intrigued me for some time. It is an area that has been undergoing a lot of redevelopment, with the new transit center right behind my camera position. I have photographed this curving freeway ramp from the other side of this scene, looking back towards the camera position of this image. There’s something attractive about the curve as it cuts right through the angular forms of this downtown area. I’m also a sucker for reflected light, such as that falling on the closed roadway at the bottom of the frame. You might say that it brings me… happiness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Formerly Bob’s Auto Service

Formerly Bob's Auto Service
A downtown garage in San Francisco

Formerly Bob’s Auto Service. © Copyright 2018 G Dan Mitchell – all rights reserved.

A downtown garage in San Francisco

I often walk past this business when I take the train to San Francisco to do street photography. My typical circuit has me doing some sort of walking loop to the north from the train station and then back by a different route. This shop is on a very busy intersection, squeezed into a small space. It looks like it has been there forever, and there is empirical evidence of this if you look closely.

These places fascinate me for a whole bunch or reasons which range from purely visual to questions about the story that might lie behind them. Visually, I’m challenged by trying to see some kind of shape and order in urban chaos, but I also like the sometimes wild layers of color on business that use it to gain visibility. In addition, especially on individual businesses that have been in a location for a while, elements appear that reflect ownership and/or management by individuals — as differentiated from the slick and ultimately uniform appearance of chains and be businesses. Here I love the hand-painted blue letters across the top of the building — they are not up to the “standards” of contemporary design, but they reflect someone’s great care in producing them. Below that, on the yellow panel above the garage, you can look closely and see the painted-out words that I used for the title of this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Apartments, Driveway, Dusk

Apartments, Driveway, Dusk
Security lights illuminate the driveway of an urban apartment complex, Pasadena

Apartments, Driveway, Dusk. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.