Tag Archives: drop

Succulent Leaves, Detail

Succulent Leaves, Detail
Close up view of the patterns of succulent plant leaf edges.

Succulent Leaves, Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Close up view of the patterns of succulent plant leaf edges.

Any time I end up in some sort of garden I seem to end up making at least a few photographs of the plants, often focusing on the shapes, lines, curves, textures and colors. In other words, most often I don’t make photographs that really show the plants in a botanically useful way, instead preferring to see them as essentially abstractions. One advantage of this approach, at least from my point of view, is that I don’t feel particularly limited to presenting an objectively accurate rendition of the subject, and I can instead choose to “see” the subject almost any way I want.

If I recall correctly, I made this photograph during a visit to Northern California a couple of years ago — the last time we visited the state and national redwood parks up there prior to this year. We stopped along the way up there and spent a night or two not far from Fort Bragg, where there is a lovely botanical garden. We took time out from the landscape photography to spend a few hours wandering there — mostly bent over close to the ground to photograph small things!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Great Basin

Autumn Aspens, Great Basin
Autumn aspen trees drop their leaves, Great Basin National Park

Autumn Aspens, Great Basin. Great Basin National Park, Nevada. September 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Autumn aspen trees drop their leaves, Great Basin National Park

I began this year’s Great Fall Color Chase in a different location — not the Eastern Sierra Nevada, but instead about as far east as one can go in Nevada, at the Great Basin National Park. Several factors led me to make this trip — some specifically fall color related, and others that don’t connect to that activity. Over the past few years I have noticed a few things about Sierra Nevada fall color season. The crowds have been increasing, to the point that they can sometimes be a bit too much. But quieter and less crowded places are still available if you look around a bit. And sometimes looking a bit beyond the confines of the Sierra turns up some interesting color, perhaps in places you might not expect. The latter realization has pushed me gradually further east of the Sierra itself… and what could be a more natural extension of that process than going to the eastern boundary of Nevada?

But fall color was only part of my reason for making the long trip to Great Basin National Park. I know a bit about the basin and range country, but my direct experience with it is limited — and this park (and the long drive across many basins and ranges to get there!) offered the chance to confront this new, to me, landscape. I arrived a few days before the end of September, thinking that the somewhat earlier color change that I’ve seen in next-door Utah might be mirrored in Nevada. This turned out to be partially true — there was already aspen and cottonwood and other types of color, but it wasn’t quite at peak just yet. But I learned a lot on this trip, about where to look for the color (including one canyon I discovered just a bit too late) and when to find it. I made this photograph of trees growing in a large valley below the summit ridge that holds Wheeler Peak, the 13,000+ footer that is the second-tallest peak in Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline Bluffs, Forest

Shoreline Bluffs, Forest
Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

Shoreline Bluffs, Forest. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

For the second time in less than a week I made it back to Point Lobos State Reserve again. After several days of very hot inland temperatures here in the San Francisco Bay Area, Point Lobos was attractive destination not only for its photogenic scenery but also for the promise of cool morning maritime fog. We encountered the fog well before we arrived, but perhaps an hour later it began to clear from the immediate coast, and I had perhaps a half hour of beautiful mixed light along the boundary between sun and fog.

I made this photograph at a location I know very well along the north shore trail at Point Lobos. When I was there late last week I photographed while it was still foggy and the soft light filled in the shadows. Today the filtered sunlight created more dramatic shadows, but a bit of lingering fog muted the intensity of the light and colors in the forest on the bluff above the rocky cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canon EOS 5D Mark II Price Drops to $1799

B&H has the Canon 5D Mark II body on sale for $1799 right now. If you have been holding out for a full frame body, this seems like a great opportunity. While the newer Canon EOS 5D Mark III offers some improved features that can make a difference to some photographers, for others the 5DII can perform essentially equally well. For example, those photographing subjects like landscape or architecture and so on will find that the 5DII produces image quality that essentially equals that of the 5DIII, and that they likely won’t miss the newer features. (I considered upgrading from my 5DII, but I decided that the 5DIII – as fine as it is – won’t provide compelling advantages for my photography.)

It is also worth noting that this makes the price of the 5DII barely more than 50% of that of the 5DIII!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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