Tag Archives: fisherman

Alpine Lake, Morning

Alpine Lake, Morning
A solitary sunrise angler stands on shoreline rocks at an alpine Sierra Nevada lake reflecting a nearby peak

Alpine Lake, Morning. Eastern Sierra Nevada California. August 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary sunrise angler stands on shoreline rocks at an alpine Sierra Nevada lake reflecting a nearby peak

During the first weekend of August I joined a group of friends for a quick backpacking trip into the eastern Sierra Nevada along the northeastern boundary of Yosemite National Park. This wasn’t primarily a photography trip so I went light, carrying a smaller system with only one lens and packing a very small tripod. The first day of the trip was, as we like to say, “interesting.” We woke up to cloudy skies that virtually guaranteed rain, and that guarantee was fulfilled in the late afternoon: I had just time to set up my tend before three hours of rain commenced! The next morning was clear, and after drying out I headed on up the trail to this beautiful lake along the crest.

After five years of historic drought and the resultant loss of permanent snow fields and damaged to vegetation, it is wonderful this year to see the changes created by last winter’s record snowfall. There are still snow banks everywhere, and even in August there were many snow crossings. On the morning after our night at this lake I got up at dawn and walked to a high place with a panoramic view of the lake and its surroundings. Just as the first sunlight began to stream across the shoulder of the peak across the lake a lone angler came to the shoreline and (thank you!) began to fish from a granite outcropping, framed against the reflection of the peak and morning sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Boat, San Luis Reservoir

Boat, San Luis Reservoir
Boat, San Luis Reservoir

Boat, San Luis Reservoir. California Hills. November 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two fisherman in a very small boat on the very large surface of the San Luis Reservoir on a cloudy and hazy autumn day

Returning from my first Central Valley winter bird photography excursion of the new season, I passed by San Luis Reservoir in the middle of the day when soft clouds hung above the mountains across the water and the sun made the hazy atmosphere glow. I usually just drive right past this place — which isn’t easy to access, even though the road runs right next to it — but I decided to figure out how and where to stop and make some photographs.

I found a high overlook at the visitor center that stands at the north end of the huge earthen dam, and from here there was a panoramic view of the surface of the lake and the surrounding California hills, which are mostly golden at this point in the early winter season. (Before long, after the first real rains, they will turn “impossibly green.”) As I photographed landscape subjects I noticed one very small fishing boat on the otherwise-empty surface of the huge reservoir.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Photograph Exposed: Photography and Luck

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

I have never been shy about admitting the role that luck plays in producing effective photographs of many subjects, and especially photographs of the natural world. Vision and knowledge and experience and planning and all the res are important, but we kid ourselves if we imagine that we are in control of our subjects to any great degree. The topic came up in a recent forum discussion, so I thought I’d share an edited version of my response here.

I can tell you with certainty that luck plays at least some role in many, if not the majority, of my landscape photographs. It is not the only thing, and preparation of all sorts is critical, but in the end almost every photograph depends on conditions and circumstances that are largely not in our control. I’ve written quite often at my blog about the sudden unanticipated appearance of magical light or atmosphere, snap decisions to go there instead of here, showing up in a place to find the key element that I could not have predicted, and random decisions that led (or not!) to special photographs.

The following photograph is one of my favorite illustrations, though I could use scores of other photographs to make the same point.

Fisherman, Winter Surf - Big Sur fisherman casts into the roiling winter Pacific Ocean surf.
Fisherman, Winter Surf

(To make the story even wilder, I ended up with three images of this scene, among which I still have a hard time selecting a favorite.)

So, how did this photograph come about? It sure looks like it must have taken some planning to get that individual fisherman posed in front of the stupendous winter surf, right? Or else some serious Photoshop trickery ? No, on both counts.

One morning I decided to photograph at Point Lobos along the Central California coast – a bit less than an hour and a half from where I live. Why Point Lobos on that day? It is hard to say for sure since even though I knew that high surf was possible, I could have gone to many other coastal locations to find it. It is a place I photograph often, but so are at least a score of other locations within the same radius of my home. So, for no clear reason that I can articulate, other than it is one of the places I like to shoot, I headed that direction.

I got there  too early, and the park entrance was closed. I pulled up to the entrance, joining the short line of cars waiting for the gate to open, and figured I’d wait. As I sat there, I realized that I might just as well go drive around and see what else I could find while waiting. So I started the car, made a u-turn, and returned to highway 1, the Pacific Coast Highway. Should I go left (north) or right (south)? No idea. Oh, what the heck, I guess I’ll go south. (Less traffic to worry about when turning right onto the highway…) Continue reading A Photograph Exposed: Photography and Luck