Tag Archives: foggy

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Sunrise Trees

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Sunrise Trees
“Sunrise Trees” — Sandhill cranes in a pond beneath winter trees turned red by sunrise light on a foggy morning.

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Into The Air

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Into The Air
Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Into The Air. © Copyright 2022 G Dan Mitchell.

Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Although this isn’t glorious dawn light, it is rather typical of what you’ll find in places like this one on a late-winter morning around sunrise — some combination of fog, a bit of haze, and (on this morning) some high clouds. All of this combines to produce an atmosphere suggesting cold, damp, stillness, and quiet. (Though the cries of a few thousand birds may interfere with the “quiet” part of that.)

As the first light begins, the sandhill cranes are mostly standing in shallow wet areas, presumably for protection from predators. As sunrise approaches they begin to become more active, and gradually small groups begin to take to the sky and fly off to distant locations. Unlike geese, who often take off by the thousands, the cranes tend to depart in groups of two or three, and rarely more than a dozen. The hints of their imminent departure can be subtle, and I often get barely any warning before they take off. Among the birds in this photograph you can spot individuals at almost every stage of departure, from standing and waiting through fully airborne.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Farm, Burned Ridge

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Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Departure

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Departure
waves of Ross’s geese lift off into foggy early morning winter sky

Departure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Waves of geese lift off into foggy early morning winter sky

There are many ways in which geese may depart, and almost any time I watch them I think about when and how they will leave. They might leave one or two at a time, perhaps circling around and returning, or possibly simply flying a short distance to a more interesting spot nearby. They might begin a mass departure by leaving in small groups of perhaps a half-dozen or a few more. The geese in this photograph were leaving in what might be described as waves — groups of perhaps a dozen or two lifting off at once and forming into lines as they headed to the north. There is also that most spectacular event, when many thousands of them erupt into the air simultaneously, with a shocking sound of thousands of wings along with their cries.

On this winter morning we arrived before dawn, as always, and watched as ground fog formed over the wetlands. We did not find the spectacularly large flocks that we sometimes see but there were groups still settled into ponds. As the first light arrived they began to fly away, first a few, then larger groups, until very soon all of them had left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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